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The aria or song is taken from the opera Rinaldo which first appeared in 1711 and was revised in 1733.
It is in ABA form and based on the sarabande rh Read More...
The aria or song is taken from the opera Rinaldo which first appeared in 1711 and was revised in 1733.
It is in ABA form and based on the sarabande rhythm which has the stress on the second beat of the three beats in the bar. When sung the Da Capo section would be an opportunity for the soloist to improvise and ornament the melody and this is option available to the organists although it is important to keep to the style and mood of the piece. This is very appropriate music for a solemn processional in an organ playing context. The use of three registrations is suggested and are indicated in the score. Rests have been indicated in all parts so that players have a clear understanding of the voicing. It is also a movement that invites interpretation and playing in different contexts. The arrangement is in the original key of F major although the tempo for the organ solo is more Larghetto than Largo which was the tempo indication in the opera. The video score plays back at a tempo of 66 half note or minim beats to the minute. Rests are indicated in the score enabling players to have a clear understanding of the voicing of the musical lines.
Moskowski has also arranged the aria for piano. Close
Added: 24th June, 2020 17:06 PM |
Views : 3610 |
Downloads : 0
It's A Date is a beginner level piano/keyboard piece based on a 12 bar blues. As a beginner score the letter names of the notes appear in the note hea Read More...
It's A Date is a beginner level piano/keyboard piece based on a 12 bar blues. As a beginner score the letter names of the notes appear in the note heads and suggested fingering is in place. The tempo of the playback on the video score is 84 half note or minim beats to the minute.Players need to take notice of the accent signs marked in the score and keep their hands as light as possible. Playing a blues structured piece of music does encourage fluent playing and the development of musical memory. The 12 bar blues forms the basis of much popular music of the 20th century. Close
Added: 8th June, 2020 13:06 PM |
Views : 3697 |
Downloads : 0
An arrangement for marimba and acoustic guitar of this charming character piece. This movement is in ABA ternary form with the A section playing back Read More...
An arrangement for marimba and acoustic guitar of this charming character piece. This movement is in ABA ternary form with the A section playing back at a tempo of 66 quarter note beats to the minute in the realisation and the faster B section at 108 quarter note beats to the minute. The music has a regular 4 bar phrase structure and there are some chromatic elements in the writing. There is opportunity for some subtle changes in tempo particularly at the ends of sections and these feature in the realisations. The melodic and rhythmic shapes of the movement are both strong and although concisely written there is plenty of contrast. It is an excellent performance piece with the opening melodic shape having an almost teasing quality. There is always a sense of movement in Grieg’s writing and the ranges of colour in his harmonic writing make his music eminently suitable to being played by many different combinations of instruments. The humour in the music also invites an exaggerated performance although this is not featured in the realisation. Players should listen to performances to form their own view and explore different approaches to interpreting the music. Grieg’s Norwegian Dance No.2 was published in 1880 as a piano duet or more correctly music for piano four hands. Grieg was fortunate in being able to access several folk music collections and much of this collected material was incorporated into arrangements and compositions. Acoustic guitar accompaniments are available with the following tempo options (1) 68/112/68 (2) 66/112/66 (3) 64/108/64 Numbers indicate the quarter note (crotchet) beats per minute for the ABA sections respectively. Close
Added: 2nd December, 2019 15:12 PM |
Views : 472 |
Downloads : 0
In this two part version the ornaments have been written out in full above the symbols and also realised in the playback version. In baroque music per Read More...
In this two part version the ornaments have been written out in full above the symbols and also realised in the playback version. In baroque music performers often vary the ornaments in the repeat sections but this is not advised for this particilar movement. Close
Added: 27th July, 2017 11:07 AM |
Views : 404 |
Downloads : 0
A two part version of this movement with no instruments specified. In this copy players are able to see the ornaments fully written out to clarify how Read More...
A two part version of this movement with no instruments specified. In this copy players are able to see the ornaments fully written out to clarify how they should be played. There is also an mp3 realisation of the score that can be downloaded. The binary AB form minuet is from the Orchestral Suite in B minor BWV 1067. Close
Added: 27th July, 2017 11:07 AM |
Views : 406 |
Downloads : 0
A short piece in melancholy mood exploring the key of D minor. This is a two part version without any specified instruments although the realisation i Read More...
A short piece in melancholy mood exploring the key of D minor. This is a two part version without any specified instruments although the realisation is played on the harpsichord. Close
Added: 27th July, 2017 11:07 AM |
Views : 402 |
Downloads : 1
A melody and chord chart of this familiar melody which could quite easily be played as a duet. No instruments have been specified so that it could be Read More...
A melody and chord chart of this familiar melody which could quite easily be played as a duet. No instruments have been specified so that it could be played by any melody instrument accompanied by chords possibly played on the keyboard or guitar. Close
Added: 27th July, 2017 11:07 AM |
Views : 389 |
Downloads : 2