In this improver level arrangement the right hand plays the outline melody accompanied by the left hand playing chords. Fingering is specified and pla Show More...
In this improver level arrangement the right hand plays the outline melody accompanied by the left hand playing chords. Fingering is specified and players are helped by graphics to show which notes are to be played for the chords. When chords are subsequently repeated only the chord symbol is given. This is a cut down version omitting the final two sections of the Trio. Described as a "Rag Time Two Step" and composed in 1902, this music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. A tempo of around 72 quarter note (crotchet) beats to the minute is suggested. Close
Added: 27th July, 2017 11:07 AM |
Views : 2293
In this arrangement one guitarist plays the melody and the other plays the chords. Each player is helped by graphics in the form of guitar TAB and cho Show More...
In this arrangement one guitarist plays the melody and the other plays the chords. Each player is helped by graphics in the form of guitar TAB and chord diagrams. Chords are played on the main beats of the bar whilst the melody is syncopated. This is a cut down version omitting the final two sections which make up the trio. Described as Rag Time Two Step and composed in 1902, this music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. A tempo of around 72 quarter note (crotchet) beats to the minute is suggested. Close
Added: 27th July, 2017 11:07 AM |
Views : 2137
Described as a Rag Time Two Step and composed in 1902, this music is instantly recognisable, which is a disadvantage to any instrumentalist because as Show More...
Described as a Rag Time Two Step and composed in 1902, this music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. A tempo of around 72 quarter note (crotchet) beats to the minute is suggested in this arrangement for flute, acoustic guitar and double bass. Close
Added: 27th July, 2017 11:07 AM |
Views : 2480
The intermediate version of "The Entertainer" includes all the main musical sections of the original. Chords have been more appropriately voiced for Show More...
The intermediate version of "The Entertainer" includes all the main musical sections of the original. Chords have been more appropriately voiced for the beginner player and the texture simplified so that the right hand octaves are omitted. Described as A Rag Time Two Step and composed in 1902, this music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. A tempo of around 72 quarter note (crotchet) beats to the minute is recommended. Close
Added: 27th July, 2017 11:07 AM |
Views : 2891
This is Joplin's piano original of The Entertainer which he described as A Rag Time Two Step. Composed in 1902, this music is instantly recognisable, Show More...
This is Joplin's piano original of The Entertainer which he described as A Rag Time Two Step. Composed in 1902, this music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so the music editor suggests listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. A tempo of around 72 quarter note (crotchet) beats to the minute is recommended. Ragtime music is deceptive in that it sounds easy on the ear but is actually quite a challenge for the fingers to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 2101
Scott Joplin's The Entertainer which he described as A Rag Time Two Step was composed in 1902. The music is instantly recognisable, which is a disadva Show More...
Scott Joplin's The Entertainer which he described as A Rag Time Two Step was composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. A tempo of around 72 quarter note (crotchet) beats to the minute is recommended in this arrangement for flute and acoustic guitar duo. Close
Added: 27th July, 2017 11:07 AM |
Views : 1944
In this trio arrangement for mandolin with TAB, acoustic guitar with TAB and string/upright/double bass a tempo of around 72 quarter note (crotchet) b Show More...
In this trio arrangement for mandolin with TAB, acoustic guitar with TAB and string/upright/double bass a tempo of around 72 quarter note (crotchet) beats to the minute is recommended. Scott Joplin’s The Entertainer is described as a ragtime two step and was composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin’s own remastered piano rolls to obtain an understanding of the performance style. Ragtime music is also quite deceptive in that it sounds easy on the ear but is actually quite a challenge for the fingers to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 2675
In this trio arrangement for mandolin, acoustic guitar and string/upright/double bass a tempo of around 72 quarter note (crotchet) beats to the minute Show More...
In this trio arrangement for mandolin, acoustic guitar and string/upright/double bass a tempo of around 72 quarter note (crotchet) beats to the minute is recommended. Scott Joplin’s The Entertainer is described as a ragtime two step was composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin’s own remastered piano rolls to obtain an understanding of the performance style. Ragtime music is also quite deceptive in that it sounds easy on the ear but is actually quite a challenge for the fingers to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 2654
This duo arrangement for mandolin with TAB and acoustic guitar also with TAB has a suggested tempo of around 72 quarter note (crotchet) beats to the Show More...
This duo arrangement for mandolin with TAB and acoustic guitar also with TAB has a suggested tempo of around 72 quarter note (crotchet) beats to the minute. Scott Joplin's The Entertainer is described as A Rag Time Two Step and was composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. Ragtime music is also quite deceptive in that it sounds easy on the ear but is actually quite a challenge for the fingers to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 2045
In this duo arrangement for violin and acoustic guitar a tempo of around 72 quarter note (crotchet) beats to the minute is recommended. Scott Joplin's Show More...
In this duo arrangement for violin and acoustic guitar a tempo of around 72 quarter note (crotchet) beats to the minute is recommended. Scott Joplin's The Entertainer which he described as A Rag Time Two Stepwas composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. Ragtime music is also quite deceptive in that it sounds easy on the ear but is actually quite a challenge for the fingers to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 1897
In this trio arrangement for violin, acoustic guitar and string/upright/double bass a tempo of around 72 quarter note (crotchet) beats to the minute i Show More...
In this trio arrangement for violin, acoustic guitar and string/upright/double bass a tempo of around 72 quarter note (crotchet) beats to the minute is recommended. Scott Joplin's The Entertainer is described as A Rag Time Two Step and was composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. Ragtime music is also quite deceptive in that it sounds easy on the ear but is actually quite a challenge for the fingers to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 2488
In this duo arrangement for mandolin and acoustic guitar, without TAB, a tempo of around 72 quarter note (crotchet) beats to the minute is recommended Show More...
In this duo arrangement for mandolin and acoustic guitar, without TAB, a tempo of around 72 quarter note (crotchet) beats to the minute is recommended. Scott Joplin's The Entertainer which he described as A Rag Time Two Step was composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. Ragtime music is also quite deceptive in that it sounds easy on the ear but is actually quite a challenge for the fingers to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 2283
In this arrangement for tenor saxophone with piano accompaniment sounding in the key of Bb a tempo of around 72 quarter note (crotchet) beats to the m Show More...
In this arrangement for tenor saxophone with piano accompaniment sounding in the key of Bb a tempo of around 72 quarter note (crotchet) beats to the minute is recommended. The solo instrument part with the appropriate transposition is appended to the full music score. Players may well want to challenge the intermediate level that has been given for this piece. Scott Joplin's The Entertainer is described as A Rag Time Two Step and was composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. Ragtime music is also quite deceptive in that it sounds easy on the ear but is actually quite a challenge for the fingers to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 2138
In this arrangement for flute with piano accompaniment sounding in the key of C a tempo of around 72 quarter note (crotchet) beats to the minute is re Show More...
In this arrangement for flute with piano accompaniment sounding in the key of C a tempo of around 72 quarter note (crotchet) beats to the minute is recommended whilst the solo instrument part is appended to the full music score. Players may well want to challenge the intermediate level that has been given for this piece because it may well be better described as being at an advanced level. Scott Joplin's The Entertainer is described as A Rag Time Two Step and was composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. Ragtime music is also quite deceptive in that it sounds easy on the ear but is actually quite a challenge to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 1840
In this arrangement for trombone with piano accompaniment sounding in the key of C a tempo of around 72 quarter note (crotchet) beats to the minute is Show More...
In this arrangement for trombone with piano accompaniment sounding in the key of C a tempo of around 72 quarter note (crotchet) beats to the minute is recommended. The solo instrument part is appended to the full music score. Players may well want to challenge the intermediate level that has been given for this piece because it may well be better described as being at an advanced level. Scott Joplin's The Entertainer is described as A Rag Time Two Step and was composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. Ragtime music is also quite deceptive in that it sounds easy on the ear but is actually quite challenging to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 1899
In this arrangement of "The Entertainer" for clarinet in Bb with piano accompaniment the sounding key is Bb whilst a tempo of around 72 quarter note ( Show More...
In this arrangement of "The Entertainer" for clarinet in Bb with piano accompaniment the sounding key is Bb whilst a tempo of around 72 quarter note (crotchet) beats to the minute is recommended. The solo instrument part is appended to the full music score with the appropriate transposition. Players may well want to challenge the intermediate level that has been given for this piece because it may well be better described as being at an advanced level. Scott Joplin's The Entertainer is described as a Rag Time Two Step and was composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin;s own remastered piano rolls to obtain an understanding of the performance style. Ragtime music is also quite deceptive in that it sounds easy on the ear but is actually quite challenging to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 1917
In this arrangement for violin with piano accompaniment sounding in the key of C a tempo of around 72 quarter note (crotchet) beats to the minute is r Show More...
In this arrangement for violin with piano accompaniment sounding in the key of C a tempo of around 72 quarter note (crotchet) beats to the minute is recommended whilst the solo instrument part is appended to the full music score. Players may well want to challenge the intermediate level that has been given for this piece because it may well be better described as being at an advanced level. Scott Joplin's The Entertainer is described as A Rag Time Two Step and was composed in 1902. The music is instantly recognisable, which is a disadvantage to any instrumentalist because as a consequence it needs to played both accurately and musically. Ragtime is the first readily identifiable modern popular music in that it has elements and links with popular music that succeeded it. Unfortunately, much ragtime music is played very badly and frequently at too fast a tempo so I would suggest listening to Scott Joplin's own remastered piano rolls to obtain an understanding of the performance style. Ragtime music is also quite deceptive in that it sounds easy on the ear but is actually quite challenging to play. Close
Added: 27th July, 2017 11:07 AM |
Views : 1850
Elite Syncopations is another high quality ragtime piece by Scott Joplin whose remastered piano rolls are a good source of understanding of how this Show More...
Elite Syncopations is another high quality ragtime piece by Scott Joplin whose remastered piano rolls are a good source of understanding of how this style of music should be performed. A tempo of 78 quarter note (crotchet) beats to the minute is recommended in this arrangement for alto saxophone accompanied by piano. The sounding key is F although the solo instrument part is appended to the full music score with the appropriate transposition. The same ragtime piece is often heard played at varying tempos but the best advice is not to play too fast. It does need to be played consistently and with simplicity even though some of the sections are technically quite challenging. Some of the repeat sections have the option of playing the melody up an octave but this may prove to be too challenging for some instruments. Close
Added: 27th July, 2017 11:07 AM |
Views : 2102
Elite Syncopations is another high quality ragtime piece by Scott Joplin whose remastered piano rolls are a good source of understanding of how this Show More...
Elite Syncopations is another high quality ragtime piece by Scott Joplin whose remastered piano rolls are a good source of understanding of how this style of music should be performed. A tempo of 78 quarter note (crotchet) beats to the minute is recommended in this arrangement for clarinet in Bb accompanied by piano.The sounding key is Eb although the solo instrument part is appended to the full music score with the appropriate transposition. The same ragtime piece is often heard played at varying tempos but the best advice is not to play too fast. It does need to be played consistently and with simplicity even though some of the sections are technically quite challenging. Some of the repeat sections have the option of playing the melody up an octave but this may prove to be too challenging for some instrumentalists. Close
Added: 27th July, 2017 11:07 AM |
Views : 2039
Elite Syncopations is another high quality ragtime piece by Scott Joplin whose remastered piano rolls are a good source of understanding of how this s Show More...
Elite Syncopations is another high quality ragtime piece by Scott Joplin whose remastered piano rolls are a good source of understanding of how this style of music should be performed. A tempo of 78 quarter note (crotchet) beats to the minute is recommended in this arrangement for violin accompanied by piano.The sounding key is G and the solo instrument part is appended to the full music score . The same ragtime piece is often heard played at varying tempos but the best advice is not to play too fast. It does need to be played consistently and with simplicity even though some of the sections are technically quite challenging. Some of the repeat sections have the option of playing the melody up an octave but this may prove to be too challenging for some instrumentalists. Close
Added: 27th July, 2017 11:07 AM |
Views : 1503
Elite Syncopations is another very well known ragtime piece by Scott Joplin whose remastered piano rolls are a good source of understanding of how thi Show More...
Elite Syncopations is another very well known ragtime piece by Scott Joplin whose remastered piano rolls are a good source of understanding of how this style of music should be performed. A tempo of 78 quarter note (crotchet) beats to the minute is recommended in this arrangement for flute accompanied by piano.The sounding key is G and the solo instrument part is appended to the full music score . The same ragtime piece is often heard played at varying tempos but the best advice is not to play too fast. It does need to be played consistently and with simplicity even though some of the sections are technically quite challenging. Some of the repeat sections have the option of playing the melody up an octave but this may prove to be too challenging for some instrumentalists. Close
Added: 27th July, 2017 11:07 AM |
Views : 1778
Elite Syncopations is another very well known ragtime piece by Scott Joplin whose remastered piano rolls are a good source of understanding of how thi Show More...
Elite Syncopations is another very well known ragtime piece by Scott Joplin whose remastered piano rolls are a good source of understanding of how this style of music should be performed. A tempo of 78 quarter note (crotchet) beats to the minute is recommended in this arrangement for tenor saxophone accompanied by piano.The sounding key is F and the solo instrument part is appended to the full music score with the appropriate transposition. The same ragtime piece is often heard played at varying tempos but the best advice is not to play too fast. It does need to be played consistently and with simplicity even though some of the sections are technically quite challenging. Some of the repeat sections have the option of playing the melody up an octave but this may prove to be too challenging for some instrumentalists. Close
Added: 27th July, 2017 11:07 AM |
Views : 1806
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for flute and piano the s Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for flute and piano the sounding key is G. The realisation tempo is 76 quarter quarter note (crotchet) beats to the minute and the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note (crotchet) beats to the minute sounds quite slow and yet 80 quarter note (crotchet) beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 14th November, 2017 13:11 PM |
Views : 2356
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement, sounding in Ab the clari Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement, sounding in Ab the clarinet in Bb part is transposed in both the full score and the appended solo part. The realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Piano accompaniments are available as mp3 downloads at tempi of 72, 76, and 80 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 14th November, 2017 13:11 PM |
Views : 2664
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for oboe and piano the sou Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for oboe and piano the sounding key is G. The realisation tempo is 76 quarter quarter note beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 14th November, 2017 19:11 PM |
Views : 2249
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for soprano saxophone with Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for soprano saxophone with piano accompaniment the realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. Both the full score and the appended solo soprano saxophone version have the saxophone part appropriately transposed. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 15th November, 2017 17:11 PM |
Views : 2354
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for tenor saxophone and pi Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for tenor saxophone and piano the sounding key is Ab and both the full score and the appended solo tenor saxophone part are appropriately transposed. The realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 15th November, 2017 18:11 PM |
Views : 2134
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for bassoon and piano the Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for bassoon and piano the sounding key is G and the tenor clef has been used for the notation of the bassoon part after the 4 bar introduction. The realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 15th November, 2017 18:11 PM |
Views : 1548
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for trumpet and piano the Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for trumpet and piano the sounding key is Ab. The realisation tempo is 72 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 15th November, 2017 19:11 PM |
Views : 2388
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for three acoustic guitars Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for three acoustic guitars in G the realisation tempo is 76 quarter quarter note beats to the minute whilst the repeats are not played. Individual instrument parts are appended to the full score. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally follow the structure of the typical American March which can be represented by letters as I AA BB AA CC DD. This would be an ideal concert piece for three guitar players who could possibly also explore the option of sharing the repeats. Close
Added: 20th November, 2017 09:11 AM |
Views : 2181
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for three acoustic guitars Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for three acoustic guitars in G and acoustic or electric bass the realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. Individual instrument parts are appended to the full score. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented by letters as I AA BB AA CC DD. This would be an ideal concert piece for three guitar players who could possibly also explore the option of sharing the repeats. Close
Added: 20th November, 2017 10:11 AM |
Views : 3107
n this arrangement for two acoustic guitars in G the realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not pl Show More...
n this arrangement for two acoustic guitars in G the realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. Individual instrument parts are appended to the full score. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Guitar accompaniments (Acoustic Guitar 2 sounding) are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning. Close
Added: 20th November, 2017 11:11 AM |
Views : 1644
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for marimba, two guitars a Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for marimba, two guitars and acoustic or electric bass in G the realisation tempo is 76 quarter quarter note beats to the minute whilst the repeats are not played. Individual instrument parts are appended to the full score. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally follow the structure of the typical American March which can be represented by letters as
I AA BB AA CC DD. Close
Added: 20th November, 2017 11:11 AM |
Views : 3772
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for two mandolins, acousti Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for two mandolins, acoustic guitars and acoustic or electric bass in G the realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. Individual instrument parts are appended to the full score. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented by letters as I AA BB AA CC DD. Close
Added: 20th November, 2017 11:11 AM |
Views : 3641
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement marimba and acoustic guita Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement marimba and acoustic guitars in G the realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. Individual instrument parts are appended to the full score and there is an ossia staff for the marimba player to consider. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented by letters as Intro AA BB AA Link CC DD.
Guitar accompaniments (Acoustic Guitar 2 sounding) are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning. Close
Added: 20th November, 2017 11:11 AM |
Views : 2091
In this arrangement for intermediate piano in the key G the realisation tempo is 72 quarter note (crotchet) beats to the minute whilst the repeats ar Show More...
In this arrangement for intermediate piano in the key G the realisation tempo is 72 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. The view of the music editor is to play the piece at the slowest tempo musically possible whilst at the same time exploring the musical shapes which the realisation does rather inadequately. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented by letters as I AA BB AA CC DD. Pianists also need to explore the ensemble options that exist with this piece that can be found on this website. Close
Added: 20th November, 2017 16:11 PM |
Views : 2621
This is the original piano version of the “Easy Winners” and the tempo in the realisation is 76 quarter note (crotchet) beats to the minute whilst Show More...
This is the original piano version of the “Easy Winners” and the tempo in the realisation is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note (crotchet) beats to the minute sounds fast. The view of the music editor is to play the piece at the slowest tempo musically possible whilst at the same time exploring the musical shapes which the realisation does rather inadequately. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises during repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented by letters as: I AA BB AA CC DD. Pianists also need to explore the ensemble options that exist with this piece that can be found on this website. Close
Added: 20th November, 2017 16:11 PM |
Views : 2722
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for violoncello and piano Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for violoncello and piano the sounding key is G and the tenor clef is used for the notation of the violoncello part after the 4 bar introduction. The realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally follow the structure of the typical American March which can be represented by letters as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 20th November, 2017 16:11 PM |
Views : 2372
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for viola with piano accom Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for viola with piano accompaniment the realisation tempo is 72 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Remember that ragtime music should not be played too fast.Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 20th November, 2017 16:11 PM |
Views : 2371
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for violin and piano the s Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for violin and piano the sounding key is G. The realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score.Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 20th November, 2017 16:11 PM |
Views : 2285
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for tuba and piano the sou Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for tuba and piano the sounding key is Ab. The realisation tempo is 72 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Piano accompaniments are available as mp3 downloads at tempi of 72, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 20th November, 2017 17:11 PM |
Views : 2418
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for trombone and piano the Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for trombone and piano the sounding key is Ab and the tenor clef has been used for the notation of the solo part after the introductory section. The realisation tempo is 72 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score.Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 20th November, 2017 17:11 PM |
Views : 1477
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for 2 flutes and piano the Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for 2 flutes and piano the sounding key is G whilst the realisation tempo is 76 quarter note (crotchet) beats to the minute with the repeats not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. The two flute parts have been appended together so as to allow players to perhaps share the repeats. Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 20th November, 2017 17:11 PM |
Views : 2283
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for flute, clarinet in Bb Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for flute, clarinet in Bb and piano the sounding key is Ab The realisation tempo is 76 quarter note (crotchet) beats to the minute whilst the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Piano accompaniments are available as mp3 downloads at tempi of 68, 72, and 76 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 21st November, 2017 08:11 AM |
Views : 2965
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for two clarinets in Bb wi Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for two clarinets in Bb with piano accompaniment the realisation tempo is 76 quarter note (crotchet) beats to the minute with the repeats not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. The clarinet in Bb parts have been appended so as to allow players to perhaps share the repeats. Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 21st November, 2017 08:11 AM |
Views : 2386
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for soprano and alto saxop Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for soprano and alto saxophones with piano accompaniment and piano the sounding key is Ab whilst the realisation tempo is at 76 quarter note (crotchet) beats to the minute with the repeats not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 21st November, 2017 08:11 AM |
Views : 2931
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for clarinet in Bb, bassoo Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for clarinet in Bb, bassoon and piano the sounding key is Ab whilst the realisation tempo is 76 quarter note (crotchet) beats to the minute and the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Clarinet in Bb and bassoon parts are appended to the full score. Piano accompaniments are available as mp3 downloads at tempi of 76, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 21st November, 2017 08:11 AM |
Views : 2686
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for trumpet in Bb, trombon Show More...
This is an excellent ensemble piece in that it allows for great flexibility in instrument combinations. In this arrangement for trumpet in Bb, trombone and piano the sounding key is Ab whilst the realisation tempo is at 76 quarter note (crotchet) beats to the minute and the repeats are not played. What is interesting about performing this piece is the impact of a change of tempo on the musical character and musical outcomes. A tempo of 70 quarter note beats to the minute sounds quite slow and yet 80 quarter note beats to the minute sounds fast. Generally, there is not a great amount of performance detail indicated in ragtime music although where opportunity arises when repeating sections performers need to explore dynamic range. The formal pattern of Joplin’s ragtime pieces generally have the structure of the typical American March which can be represented as Intro AA BB AA Link CC DD. Piano accompanists are advised to make use of the sustaining pedal although this aspect of the performance detail has not been indicated in the music score. Trumpet in Bb and trombone parts are appended to the full score. Piano accompaniments are available as mp3 downloads at tempi of 72, 72, and 68 quarter note (crotchet) beats to the minute. The repeats are played in the accompaniments and there is a four bar count in at the beginning with bar 4 being silent. Close
Added: 21st November, 2017 08:11 AM |
Views : 2867
Elite Syncopations is one of Scott Joplin best ragtime compositions. If you are not sure how to approach the playing of Joplin’s music listen to th Show More...
Elite Syncopations is one of Scott Joplin best ragtime compositions. If you are not sure how to approach the playing of Joplin’s music listen to the composers own whose remastered piano rolls which are an excellent source of clarifying how this style of music should be performed. A tempo of 78 quarter note (crotchet) beats to the minute is recommended in this arrangement for intermediate level piano which also has suggested fingering in place. The music sounds key in the original key of C. Close
Added: 12th December, 2019 22:12 PM |
Views : 2367
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