A graceful movement from one of Haydn's early keyboard sonatas (Hob. XVI/I) with a melody that very much captures the spirit of the classical age. The Show More...
A graceful movement from one of Haydn's early keyboard sonatas (Hob. XVI/I) with a melody that very much captures the spirit of the classical age. The melody needs to be played in a flowing and even manner and played at a tempo in which the music is does not seem to be rushed. The appeal of the music is very much in its simplicity and it is very suited to being performed by just a melody instrument accompanied by an acoustic guitar. A tempo of 42 quarter notes (crotchet) beats to the minute is suggested. In the realisation a consistent approach to the interpretation of the ornaments is the intention but there are other solutions and additions that can be made. Performers of this work often vary and add additional ornaments in the the repeat sections and consequently no two performances of the movement are interpretated in the same way. The ornaments in this version are written out in an ossia staff but can always be omitted in the early stages of learning the piece. Close
Added: 27th July, 2017 11:07 AM |
Views : 1926
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A graceful movement from one of Haydn's early keyboard sonatas with a melody that very much captures the spirit of the classical age.The melody needs Show More...
A graceful movement from one of Haydn's early keyboard sonatas with a melody that very much captures the spirit of the classical age.The melody needs to be played in a flowing and even manner and played at a tempo in which the music is does not seem to be rushed - 42 quarter notes (crotchet) beats to the minute is suggested. The balance between the instrumental parts could possibly be improved in performance and more attention paid to the ends of the phrases which are not as well shaped in the realisation as they possibly could be. In the realisation a consistent approach to the interpretation of the ornaments is the intention but there are other solutions and additions that can be made. Performers of this work often vary and add additional ornaments in the the repeat sections and consequently no two performances of the movement are interpretated in the same way. The ornaments in this version are written out in an ossia staff but can always be omitted in the early stages of learning the piece. Close
Added: 27th July, 2017 11:07 AM |
Views : 2262
Downloads : 1
A graceful movement from one of Haydn's early keyboard sonatas (Hob. XVI/I) with a melody that very much captures the spirit of the classical age. The Show More...
A graceful movement from one of Haydn's early keyboard sonatas (Hob. XVI/I) with a melody that very much captures the spirit of the classical age. The melody needs to be played in a flowing and even manner and played at a tempo in which the music is does not seem to be rushed. The appeal of the music is very much in its simplicity and it is very suited to being performed by just a melody instrument accompanied by an acoustic guitar. A tempo of 42 quarter notes (crotchet) beats to the minute is suggested. In the realisation a consistent approach to the interpretation of the ornaments is the intention but there are other solutions and additions that can be made. Performers of this work often vary and add additional ornaments in the the repeat sections and consequently no two performances of the movement are interpretated in the same way. The ornaments in this version are written out in an ossia staff but can always be omitted in the early stages of learning the piece. Close
Added: 27th July, 2017 11:07 AM |
Views : 1857
Downloads : 0
A graceful movement from one of Haydn's early keyboard sonatas (Hob. XVI/I) with a melody that very much captures the spirit of the classical age. The Show More...
A graceful movement from one of Haydn's early keyboard sonatas (Hob. XVI/I) with a melody that very much captures the spirit of the classical age. The melody needs to be played in a flowing and even manner and played at a tempo in which the music is does not seem to be rushed. The appeal of the music is very much in its simplicity and it is very suited to being performed by just a melody instrument accompanied by an acoustic guitar. A tempo of 42 quarter notes (crotchet) beats to the minute is suggested. In the realisation a consistent approach to the interpretation of the ornaments is the intention but there are other solutions and additions that can be made. Performers of this work often vary and add additional ornaments in the the repeat sections and consequently no two performances of the movement are interpretated in the same way. The ornaments in this version are written out in an ossia staff but can always be omitted in the early stages of learning the piece. Close
Added: 27th July, 2017 11:07 AM |
Views : 1748
Downloads : 0
A graceful movement from one of Haydn's early keyboard sonatas (Hob. XVI/1) with a melody that very much captures the spirit of the classical age. The Show More...
A graceful movement from one of Haydn's early keyboard sonatas (Hob. XVI/1) with a melody that very much captures the spirit of the classical age. The melody needs to be played in a flowing and even manner style and played at a tempo in which the music is does not seem to be rushed. The appeal of the music is very much in its simplicity whilst a tempo of 42 quarter notes (crotchet) beats to the minute is suggested. The balance between the instrumental parts could possibly be improved in performance and more attention paid to the ends of the phrases which are not as well shaped in the realisation as they possibly could be. In the realisation a consistent approach to the interpretation of the ornaments is the intention but there are other solutions and additions that can be made. Performers of this work often vary and add additional ornaments in the the repeat sections and consequently no two performances of the movement are interpretated in the same way. The ornaments in this version are written out in an ossia staff but can always be omitted in the early stages of learning the piece. Close
Added: 27th July, 2017 11:07 AM |
Views : 2052
Downloads : 0
A graceful movement from one of Haydn's early keyboard sonatas (Hob. XVI/I) with a melody that very much captures the spirit of the classical age. The Show More...
A graceful movement from one of Haydn's early keyboard sonatas (Hob. XVI/I) with a melody that very much captures the spirit of the classical age. The melody needs to be played in a flowing and even manner and played at a tempo in which the music is does not seem to be rushed. The appeal of the music is very much in its simplicity and it is very suited to being performed by just a melody instrument accompanied by an acoustic guitar. A tempo of 42 quarter notes (crotchet) beats to the minute is suggested. In the realisation a consistent approach to the interpretation of the ornaments is the intention but there are other solutions and additions that can be made. Performers of this work often vary and add additional ornaments in the the repeat sections and consequently no two performances of the movement are interpretated in the same way. The ornaments in this version are written out in an ossia staff but can always be omitted in the early stages of learning the piece. Close
Added: 27th July, 2017 11:07 AM |
Views : 1742
Downloads : 0
A graceful movement from one of Haydn's (Hob. XVI/I) early keyboard sonatas with a melody that very much captures the spirit of the classical age. The Show More...
A graceful movement from one of Haydn's (Hob. XVI/I) early keyboard sonatas with a melody that very much captures the spirit of the classical age. The melody needs to be played in a flowing and even manner style and played at a tempo in which the music is does not seem to be rushed. The appeal of the music is very much in its simplicity whilst a tempo of 42 quarter notes (crotchet) beats to the minute is suggested. The balance between the instrumental parts could possibly be improved in performance and more attention paid to the ends of the phrases which are not as well shaped in the realisation as they possibly could be. In the realisation a consistent approach to the interpretation of the ornaments is the intention but there are other solutions and additions that can be made. Performers of this work often vary and add additional ornaments in the the repeat sections and consequently no two performances of the movement are interpretated in the same way. The ornaments in this version are written out in an ossia staff but can always be omitted in the early stages of learning the piece. Close
Added: 27th July, 2017 11:07 AM |
Views : 2424
Downloads : 0
A graceful movement from one of Haydn's early keyboard sonatas (Hob.XVI/I) with a melody that very much captures the spirit of the classical age. The Show More...
A graceful movement from one of Haydn's early keyboard sonatas (Hob.XVI/I) with a melody that very much captures the spirit of the classical age. The melody needs to be played in a flowing and even manner style and played at a tempo in which the music is does not seem to be rushed. The appeal of the music is very much in its simplicity whilst a tempo of 42 quarter notes (crotchet) beats to the minute is suggested. The balance between the instrumental parts could possibly be improved in performance and more attention paid to the ends of the phrases which are not as well shaped in the realisation as they possibly could be. In the realisation a consistent approach to the interpretation of the ornaments is the intention but there are other solutions and additions that can be made. Performers of this work often vary and add additional ornaments in the the repeat sections and consequently no two performances of the movement are interpretated in the same way. The ornaments in this version are written out in an ossia staff but can always be omitted in the early stages of learning the piece. Close
Added: 27th July, 2017 11:07 AM |
Views : 2323
Downloads : 0
A concise pianistic movement in binary form selected for this collection to encourage fast playing. Players may wish to substitute alternative fingeri Show More...
A concise pianistic movement in binary form selected for this collection to encourage fast playing. Players may wish to substitute alternative fingering. A tempo range of 80-84 dotted quarter note beats to the bar is recommended - the realisation is 80 dotted quarter (crotchet) notes to the bar. Once the music has been studied and learnt players should perform the piece communicating a one beat one in a bar feel. The keyboard sonatas of Haydn, whilst not as familiar as Mozart's and Beethoven's, offer rich pianistic treasures and are well worth exploring. His 50 plus keyboard sonatas were composed between the 1750's and the 1790's during the period when the piano became the most popular keyboard instrument. Close
Added: 27th July, 2017 11:07 AM |
Views : 2012
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This is the last movement of Haydn's Piano Sonata in D (Hob XVI:37). It is in rondo form (ABACA) with each section in binary form. The repeat signs in Show More...
This is the last movement of Haydn's Piano Sonata in D (Hob XVI:37). It is in rondo form (ABACA) with each section in binary form. The repeat signs in the sections bar 40 - 60 are optional. Ornaments have been written out in the score and are realised in the sound file and a tempo of at least 132 quarter note beats to the minute is recommended. Fingering is clearly specified and in the first instance I would suggest a consistent approach to playing the ornaments. A fairly dry acoustic is required and I would advise against too much use of the sustaining pedal. A convincing performance requires a light pianistic touch with the fingers kept really close to the piano keys. There is a a decrescendo at bar 90 but no rit. or slowing down. Sometimes the numbering of Haydn's keyboard sonatas appears confused but always refer to the Hoboken catalogue number for clarity. I would suggest listening to performances of this movement by some of the many excellent pianist that have made recordings. Close
Added: 27th July, 2017 11:07 AM |
Views : 2091
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The tempo indication Allegro con brio is possibly a bit on the strong side for this movement which has character and charm rather than vigour. Scherza Show More...
The tempo indication Allegro con brio is possibly a bit on the strong side for this movement which has character and charm rather than vigour. Scherzando is a direction to play in a playful manner whilst the realisation playback tempo is 110 quarter note (crotchet) beats to the minute with the repeats not played. The realisation is functional but understandably does lack the subtlety that is communicated in a performance. Ornaments and appoggiaturas are written out in the edited music score with trills beginning on the note and having a 5 note shape reflecting current performance practice. Composed in the late 1770's the work that reminds us that Haydn's did possess a sense of humour which is often evident on his music. Understand that there are several options available as far as "suggested" fingering is concerned but it is a work in which legato, staccato and staccatissimo touches can be explored in performance. The thumb is generally avoided on the black notes and there is an opportunity to explore changing the finger on a repeating note.
A source score is appended to the sheet music score allowing the player some flexibility in their approach.
In the repeats gifted and sensitive interpreters of Haydn's music add additional ornaments and figurations whilst possibly varying the dynamic and tempo but all keeping with the musical style. Close
Added: 29th January, 2018 13:01 PM |
Views : 2790
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This movement is in rondo form which can be represented formally by the letters ABACA - a rondo is a piece with a recurring theme having its origins a Show More...
This movement is in rondo form which can be represented formally by the letters ABACA - a rondo is a piece with a recurring theme having its origins as a dance.Changing the finger on a repeating note is a piano technique that can be usefully explored in this movement if only to give to a lightness to the touch which is required if the movement is to be played at tempo. In fast playing the dynamics also need to be controlled and I would avoid playing the movement too loudly. A performance tempo of 100 quarter note beats to the minute is a good first target. The realisation playback tempo is 144 quarter note (crotchet) beats to the minute with the repeats for a change played in the realisation. Ornaments and appoggiaturas are written out in the edited music score with trills beginning on the note. Understand that there are several options and solutions available as far as "suggested" fingering is concerned but it is a work in which legato, staccato and staccatissimo touches can be explored. In the repeats gifted and sensitive interpreters of Haydn's music add additional ornaments and figurations whilst possibly varying the dynamic and tempo but all keeping to the musical style. This is an excellent piece for developing musical memory and when possible players should try and put the sheet music aside. The movement composed in the late 1770's has more than a suggestion of the spirit of the composer and his evident humour. A plain score is also appended to the edited sheet music score allowing the player some flexibility in their approach. Close
Added: 19th February, 2018 15:02 PM |
Views : 2244
Downloads : 0
