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This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the oppor Read More...
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the opportunities it offers to explore the tonal range of the instrument Triplets are shown in the solo instrument part but only in the first two bars of the piano accompaniment. There are some octave transpositions in the flute part. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable for a range of instruments. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. A flute part is also appended to the full score. Close
Added: 22nd February, 2018 15:02 PM |
Views : 324 |
Downloads : 0
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the oppor Read More...
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the opportunities it offers to explore the tonal range of the clarinet. That said there are some octave transpositions in the clarinet in Bb part. Triplets are shown in the solo instrument part but only in the first two bars of the piano accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable for a range of instruments. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. A clarinet in Bb part is appended to the full score. Close
Added: 22nd February, 2018 15:02 PM |
Views : 328 |
Downloads : 0
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the oppor Read More...
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the opportunities it offers to explore the tonal range of the tenor saxophone. Triplets are shown in the solo instrument part but only in the first two bars of the piano accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable for a range of instruments. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. A tenor saxophone part is appended to the full score. Close
Added: 22nd February, 2018 15:02 PM |
Views : 339 |
Downloads : 0
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the oppor Read More...
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the opportunities it offers to explore the tonal range in an instrument. That said there are some octave transpositions in the bassoon. Triplets are shown in the solo instrument part but only in the first two bars of the piano accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable for a range of instruments. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. A bassoon part notated in the tenor clef is appended to the full score. Close
Added: 22nd February, 2018 17:02 PM |
Views : 306 |
Downloads : 0
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the oppor Read More...
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the opportunities it offers to explore the tonal range of the trombone. Triplets are shown in the solo instrument part but only in the first two bars of the piano accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable for a range of instruments. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. The trombone part is notated in the tenor clef and is appended to the full score. Close
Added: 22nd February, 2018 17:02 PM |
Views : 304 |
Downloads : 0
This is an excellent piece for a solo instrument player because it is challenging to play both from the pitch range the player has to manage and the o Read More...
This is an excellent piece for a solo instrument player because it is challenging to play both from the pitch range the player has to manage and the opportunities it offers to explore tonal range of the violin. Triplets are shown in the solo instrument part but only in the first two bars of the piano accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. A violin part is appended to the full score. Close
Added: 22nd February, 2018 17:02 PM |
Views : 334 |
Downloads : 0
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the oppor Read More...
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the opportunities it offers to explore tonal range of the instrument. The violoncello part is notated in the tenor clef whilst triplets are shown in the solo instrument part but only in the first two bars of the piano accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable for a range of instruments. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. A violoncello part is appended to the full score. Close
Added: 22nd February, 2018 17:02 PM |
Views : 320 |
Downloads : 0
This is an excellent piece for a solo instrument player because it is challenging to play both from the pitch range the player has to manage and the o Read More...
This is an excellent piece for a solo instrument player because it is challenging to play both from the pitch range the player has to manage and the opportunities it offers to explore tonal range of the instrument. The violoncello part is notated in the tenor clef whilst triplets are shown in the solo instrument part but only in the first two bars of the guitar accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable for a range of instruments. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. Close
Added: 23rd February, 2018 07:02 AM |
Views : 312 |
Downloads : 0
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the oppor Read More...
This is an excellent piece for an instrument player because it is challenging to play both from the pitch range the player has to manage and the opportunities it offers to explore tonal range of the solo guitar. Triplets are shown in the solo instrument part but only in the first two bars of the piano accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable for a range of different instruments. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. Close
Added: 23rd February, 2018 07:02 AM |
Views : 388 |
Downloads : 0
This is an excellent piece for a solo instrument player because it is challenging to play both from the pitch range the player has to manage and the o Read More...
This is an excellent piece for a solo instrument player because it is challenging to play both from the pitch range the player has to manage and the opportunities it offers to explore tonal range of the violin. Triplets are shown in the solo instrument part but only in the first two bars of the guitar accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. Close
Added: 23rd February, 2018 08:02 AM |
Views : 317 |
Downloads : 0
This is an excellent piece for a solo instrument player because it is challenging to play both from the pitch range the player has to manage and the o Read More...
This is an excellent piece for a solo instrument player because it is challenging to play both from the pitch range the player has to manage and the opportunities it offers to explore tonal range of an instrument. Triplets are shown in the solo instrument part but only in the first two bars of the guitar accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. Close
Added: 23rd February, 2018 08:02 AM |
Views : 326 |
Downloads : 0
This is a very appealing ensemble piece, challenging to play both from the pitch range the solo player has to manage and the opportunities it offers t Read More...
This is a very appealing ensemble piece, challenging to play both from the pitch range the solo player has to manage and the opportunities it offers to explore tonal range of an instrument. Triplets are shown in the solo instrument part but only in the first two bars of the guitar accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. Individual parts are appended to the full score Close
Added: 23rd February, 2018 08:02 AM |
Views : 386 |
Downloads : 0
This is a very appealing ensemble piece, challenging to play both from the pitch range the solo player has to manage and the opportunities it offers t Read More...
This is a very appealing ensemble piece, challenging to play both from the pitch range the solo player has to manage and the opportunities it offers to explore tonal range of an instrument. Triplets are shown in the solo instrument part but only in the first two bars of the guitar accompaniment. This arrangement is intended to be performance piece and although there has been some re-scoring of the solo part to make it just a little more playable. Not all the intended ornaments are included in the score to enable the focus to be on playing the melody. The original Paganini version as one would expect has some very challenging moments but is well worth listening to particularly in its original form played on the violin. The limitations of the staff notation system are challenged particularly in the closing cadenza section at bar 45 which needs to be played with a clear sense of pulse being communicated. Paganini is a unique and quite captivating figure in the history of music who was a major influence on many romantic composers influencing both performance practice and also composition. He was the outstanding violinist of his age and in addition was an excellent guitarist although his performances on this instrument were shared with friends rather than the public. Individual parts are appended to the full score. Close
Added: 23rd February, 2018 08:02 AM |
Views : 384 |
Downloads : 0