Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. Show More...
Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. His Gymnopedie No. 1 is an attractive melodic piece which was orchestrated by Debussy. Satie's writings and works influenced many of the avant-garde movements established in Paris in the early 20th century. Close
Added: 27th July, 2017 11:07 AM |
Views : 4094
Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. Show More...
Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. His Gymnopedie No. 1 is an attractive melodic piece which was orchestrated by Debussy. Satie's writings and works influenced many of the avant-garde movements established in Paris in the early 20th century. Close
Added: 27th July, 2017 11:07 AM |
Views : 4449
Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. Show More...
Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. His Gymnopedie No. 1 is an attractive melodic piece which was subsequently orchestrated by Debussy. Satie's writings and works influenced many of the avant-garde movements established in Paris in the early 20th century. This resource has TAB and chord diagrams. Close
Added: 27th July, 2017 11:07 AM |
Views : 4805
Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. Show More...
Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. His Gymnopedie No. 1 is an attractive melodic piece which was composed and published in 1888. The accompanying guitar needs the lowest string to be tuned to the note D. Close
Added: 27th July, 2017 11:07 AM |
Views : 4384
This arrangement for two guitars and string bass has chord diagrams to assist the accompanying guitarist. The realisation features an electric guitar. Show More...
This arrangement for two guitars and string bass has chord diagrams to assist the accompanying guitarist. The realisation features an electric guitar. Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. His Gymnopedie No. 1 is an attractive melodic piece which was composed and published in 1888. Satie's writings and works influenced many of the avant-garde movements established in Paris in the early 20th century. Close
Added: 27th July, 2017 11:07 AM |
Views : 4141
An arrangement for guitar and flute of this attractive melodic piece which was composed and published in 1888. Erik Satie was a French composer and wh Show More...
An arrangement for guitar and flute of this attractive melodic piece which was composed and published in 1888. Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. There are chord diagrams to assists the accompanying guitar which has the sixth string tuned down to D. Close
Added: 27th July, 2017 11:07 AM |
Views : 3949
An arrangement for horn in F (French horn) with a piano accompaniment of this attractive melodic piece which was composed and published in 1888. The s Show More...
An arrangement for horn in F (French horn) with a piano accompaniment of this attractive melodic piece which was composed and published in 1888. The solo horn part is also appended to the score. Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. Close
Added: 27th July, 2017 11:07 AM |
Views : 3792
An arrangement for bassoon with piano accompaniment of this attractive melodic piece which was composed and published in 1888. The solo bassoon part i Show More...
An arrangement for bassoon with piano accompaniment of this attractive melodic piece which was composed and published in 1888. The solo bassoon part is also appended to the score. Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. Close
Added: 27th July, 2017 11:07 AM |
Views : 3994
An arrangement for oboe with piano accompaniment of this attractive melodic piece which was composed and published in 1888. The solo oboe part is also Show More...
An arrangement for oboe with piano accompaniment of this attractive melodic piece which was composed and published in 1888. The solo oboe part is also appended to the score. Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. Close
Added: 27th July, 2017 11:07 AM |
Views : 3545
An arrangement for trombone with piano accompaniment of this attractive melodic piece which was composed and published in 1888. The solo trombone part Show More...
An arrangement for trombone with piano accompaniment of this attractive melodic piece which was composed and published in 1888. The solo trombone part is also appended to the score. Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. Close
Added: 27th July, 2017 11:07 AM |
Views : 3571
An arrangement for violoncello with piano accompaniment of this attractive melodic piece which was composed and published in 1888. The solo violoncell Show More...
An arrangement for violoncello with piano accompaniment of this attractive melodic piece which was composed and published in 1888. The solo violoncello part is also appended to the score. Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. Close
Added: 27th July, 2017 11:07 AM |
Views : 3945
An arrangement for violin with piano accompaniment of this attractive melodic piece which was composed and published in 1888. The solo violin part is Show More...
An arrangement for violin with piano accompaniment of this attractive melodic piece which was composed and published in 1888. The solo violin part is also appended to the full score. Erik Satie was a French composer and whilst he was considered to be something of an eccentric composed some very appealing and atmospheric miniatures. Close
Added: 27th July, 2017 11:07 AM |
Views : 4785
This march inspired by the music of the ragtime era is a cabaret piece featuring the cakewalk rhythm which was popular in Paris around 1900. A tempo Show More...
This march inspired by the music of the ragtime era is a cabaret piece featuring the cakewalk rhythm which was popular in Paris around 1900. A tempo of 96 quarter note (crotchet) beats to the minute is suggested for this concise cheerful piece dating from 1904. A flute part is appended to the full score. 3 piano accompaniments are available playing at 92, 96 and 100 quarter note beats to the minute. Each has a 4 bar introduction indicating the tempo that sounds on a wood block. There is a one bar silent bar before the repeat of the A section. Close
Added: 27th July, 2017 11:07 AM |
Views : 4864
This march inspired by the music of the ragtime era is a cabaret piece featuring the cakewalk rhythm which was popular in Paris around 1900. A tempo Show More...
This march inspired by the music of the ragtime era is a cabaret piece featuring the cakewalk rhythm which was popular in Paris around 1900. A tempo of 96 quarter note (crotchet) beats to the minute is suggested for this concise cheerful piece dating from 1904. A clarinet score score with the appropriate transposition is appended to the full score. 3 piano accompaniments are available playing at 92, 96 and 100 quarter note beats to the minute. Each has a 4 bar introduction indicating the tempo that sounds on a wood block. There is a one bar silent bar before the repeat of the A section. Close
Added: 27th July, 2017 11:07 AM |
Views : 3565
This march inspired by the music of the ragtime era is a cabaret piece featuring the cakewalk rhythm which was popular in Paris around 1900. A tempo Show More...
This march inspired by the music of the ragtime era is a cabaret piece featuring the cakewalk rhythm which was popular in Paris around 1900. A tempo of 96 quarter note (crotchet) beats to the minute is suggested for this concise cheerful piece dating from 1904. A tenor saxophone part appropriately transposed is appended to the full score. 3 piano accompaniments are available playing at 92, 96 and 100 quarter note beats to the minute. Each has a 4 bar introduction indicating the tempo that sounds on a wood block. There is a one bar silent bar before the repeat of the A section. Close
Added: 27th July, 2017 11:07 AM |
Views : 4061
This is Satie's original version of the march inspired by the music of the ragtime era. It is a cabaret piece featuring the cakewalk rhythm which was Show More...
This is Satie's original version of the march inspired by the music of the ragtime era. It is a cabaret piece featuring the cakewalk rhythm which was popular in Paris around 1900. A tempo of 96 quarter note (crotchet) beats to the minute is suggested for this concise humorous piece dating from 1904. Close
Added: 27th July, 2017 11:07 AM |
Views : 4879
This is an intermediate level version of Satie's march inspired by the music of the ragtime era. It is a cabaret piece featuring the cakewalk rhythm Show More...
This is an intermediate level version of Satie's march inspired by the music of the ragtime era. It is a cabaret piece featuring the cakewalk rhythm which was popular in Paris around 1900. A tempo of 96 quarter note (crotchet) beats to the minute is suggested for this concise humorous piece dating from 1904. The music copy has been edited with right and left hand fingering. Close
Added: 27th July, 2017 11:07 AM |
Views : 4887
This is an intermediate level version of Satie's march inspired by the music of the ragtime era. It is a cabaret piece featuring the cakewalk rhythm Show More...
This is an intermediate level version of Satie's march inspired by the music of the ragtime era. It is a cabaret piece featuring the cakewalk rhythm which was popular in Paris around 1900. A tempo of 96 quarter note (crotchet) beats to the minute is suggested for this concise humorous piece dating from 1904. A bassoon part is appended to the full music score.
3 piano accompaniments are available playing at 92, 96 and 100 quarter note beats to the minute. Each has a 4 bar introduction indicating the tempo that sounds on a wood block. There is a one bar silent bar before the repeat of the A section. Close
Added: 27th July, 2017 11:07 AM |
Views : 3974
This is an intermediate level version of Satie's march inspired by the music of the ragtime era. It is a cabaret piece featuring the cakewalk rhythm Show More...
This is an intermediate level version of Satie's march inspired by the music of the ragtime era. It is a cabaret piece featuring the cakewalk rhythm which was popular in Paris around 1900. A tempo of 96 quarter note (crotchet) beats to the minute is suggested for this concise humorous piece dating from 1904. An alto saxophone part is appended to the full music score. 3 piano accompaniments are available playing at 92, 96 and 100 quarter note beats to the minute. Each has a 4 bar introduction indicating the tempo that sounds on a wood block. There is a one bar silent bar before the repeat of the A section. Close
Added: 27th July, 2017 11:07 AM |
Views : 4088
Gnoissienne No. 1 an intermediate level piano solo dating from 1890 and was composed by Erik Satie one of the most eccentric and individual composers Show More...
Gnoissienne No. 1 an intermediate level piano solo dating from 1890 and was composed by Erik Satie one of the most eccentric and individual composers in the history of music. The movement is frequently associated with images particularly in video documentaries that convey sadness and melancholy. Satie’s sound world is both individual and characteristic. There is a strong repetitive element whilst the timeless element is also an additional feature. Satie was a composer who experimented with form, rhythm and both chordal structures and sounds. A miniaturist his music connects with many because his sound world retains great contemporary appeal. The first 3 Gnoissiennes were published in 1893 and do not have time signatures or bar lines and are described as being in free time. The score available from PlentyMusic has this and an additional appended score which does have the time signature and bar lines in place. Bar lines are so easy on the eye and the music editor suggests should never be totally ignored. The playback tempo is 110 quarter note beats to the minute suggesting a more Moderato tempo than Lento. Understand that music tempi in general have quickened in the last 100 years. The use of the sustaining pedal is recommended but not indicated in the sheet music score. Saties’s Gnoissienne are similar to the Gymnopedie’s in style and concept and musical language. Satie lived in Paris and there are some fascinating commentaries about his daily life and work routines which involved walking from his apartment in Accueil to Paris particularly to Montmartre and after WW1 to Montparnasse. They are well worth exploring particularly as they give insight to his approach to life and composition. When he died much of his music was rediscovered simply because it was buried in a piano below a piano. Work this one if you can or research more. He is a quite extraordinary composer who more than 100 years after his death remains even more extraordinary and certainly suggests he lived well before his time. Possibly in more recent times he would be described as being somebody with OCD (obsessive compulsive disorder) although that is a diagnosis for a psychologist rather than a music editor. Satie’s music translates well into other idioms such as jazz. He remains a composer who whose music should be explored by all musicians. Close
Added: 11th March, 2022 18:03 PM |
Views : 4702
