Improve music practice routines playing J.S. Bach’s Invention 2 BWV 773 sounding in the key of C minor in an arrangement for soprano & tenor saxopho Show More...
Improve music practice routines playing J.S. Bach’s Invention 2 BWV 773 sounding in the key of C minor in an arrangement for soprano & tenor saxophone duo. The Bach Inventions as duos offer excellent practice & performance opportunities This is a melodic two part invention with ornaments in place that needs to be played with both feeling and sensitivity. The full score appropriately transposed has appended soprano & tenor saxophone parts. The realisation plays back at 52 bpm The pdf sheet music download and play-a-long mp3 accompaniments are available to download from PlentyMusic. Playing the Bach Inventions as part of a duo encourages good intonation, that is, playing in tune, in duet playing. Legato playing is required when performing this invention in what is a slow tempo and melancholy movement. There are some octave transposition in the tenor saxophone needed to keep to the instrument’s range. Bach composed much music as a teacher with the performing and teaching context often relating to his own children. Four of his sons became important composers relevant in music history because they link the baroque era with the classical. The inventions offer excellent opportunities to instrumentalists to improve their ensemble playing skill set and develop an understanding of baroque compositional processes. The inventions are uncompromising in the demands they place on performers requiring accuracy technique and concentrated listening. In the sheet music score the ornaments are indicated but do not sound in the realisation or accompaniments. Those wishing to know how the ornaments are played should refer to the piano video score on the YouTube channel. In this the ornaments have been written out as they should be played. Accompaniments are in place allowing saxophonists to participate in play-a-long ensemble activities as part of music practice routines. The soprano saxophone sounds on one side of the stereo channel and the tenor saxophone on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56, 58 & 60 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. Accompaniments are available with and without ornaments in place. Understand that ornaments can be interpreted differently and that performance practice is both an evolving and often reviewed subject. The music editor avoids ornaments ocurring in different voices at the same time. How ornaments are played at cadences in particular is a fascinating subject in the baroque era. Frequently players embrace an element of improvisation in their playing. The best advice is to listen to the performances and learn to discriminate as a performer between good practice and bad practice. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. Levels when they are played on different instruments may be different. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system established in Bach’s own time. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution and other processes are evident in Bach’s inventions as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Improve music practice routines playing J.S. Bach’s Invention 2 BWV 773 arr. violin & cello duo in the key of C minor. The Bach Inventions performe Show More...
Improve music practice routines playing J.S. Bach’s Invention 2 BWV 773 arr. violin & cello duo in the key of C minor. The Bach Inventions performed as duos offer excellent practice & performance opportunities. The realisation video plays back at 50bpm. This is a melodic two part invention with ornaments in place that needs to be played with feeling and sensitivity. pdf sheet music download and play-a-long mp3 accompaniments are available to download from PlentyMusic. Playing the Bach Inventions as part of a duo encourages good intonation, that is, playing in tune, in duet playing. Legato playing is required when performing this invention in what is a slow tempo and melancholy movement. This is music that requires both method and determination in the way that it is approached. Bach composed much music as a teacher with the performing and teaching context often relating to his own children. Four of his sons became important composers relevant in music history because they link the baroque era with the classical. The inventions offer excellent opportunities to instrumentalists to improve their ensemble playing skill set and develop an understanding of baroque compositional processes. The inventions are uncompromising in the demands they place on performers requiring accuracy technique and concentrated listening. Playing the relevant C minor scale in both its melodic and harmonic forms would be excellent preparation for playing this movement. In the sheet music score the ornaments are both indicated and sound in the realisation. Accompaniments are in place allowing string players to participate in play-a-long ensemble activities as part of music practice routines. The violin sounds on one side of the stereo channel and the cello on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56, 58, 60 & 62 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. They are available with and without ornaments in place In the keyboard video score, which string players may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation representing exactly what is being played. Understand that ornaments can be interpreted differently and that performance practice is both evolving and often reviewed. How ornaments are played at cadences in particular is a fascinating subject in the baroque era. The combination of structure improvisation The best advice is to listen to the performances and learn to discriminate as a performer between good practice and that which is plainly inappropriate and bluntly bad practice. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system established in Bach’s own time. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution and other processes are evident in Bach’s inventions as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Improve music practice routines playing Invention 2 BWV 773 in an arrangement for oboe & bassoon sounding in the original key of C minor The Bach Inve Show More...
Improve music practice routines playing Invention 2 BWV 773 in an arrangement for oboe & bassoon sounding in the original key of C minor The Bach Inventions played as duets offer excellent music practice and performance opportunities. This is a reflective contemplative melodic two part invention with ornaments in place that needs to be played with feeling and sensitivity. Oboe and bassoon parts are appended to the full score in the pdf download. The sheet music video plays back at 52 bpm The pdf sheet music download and play-a-long mp3 accompaniments are available to download from PlentyMusic. Playing the Bach Inventions as part of a duo encourages good intonation, that is, playing in tune, in duet playing. Legato playing is required when performing this invention in what is a slow tempo and melancholy movement. This is music that requires both method and determination in the way that it is approached. Bach composed much music as a teacher with the performing and teaching context often relating to his own children. Four of his sons became important composers relevant in music history because they link the baroque era with the classical. The inventions offer excellent opportunities to instrumentalists to improve their ensemble playing skill set and develop an understanding of baroque compositional processes. The inventions are uncompromising in the demands they place on performers requiring accuracy technique and concentrated listening. In the sheet music score the ornaments are both indicated and sound in the realisation. The music editor has avoided placing ornaments in the two parts at the same time. Accompaniments are in place allowing double reed oboe & bassoon players to participate in play-a-long ensemble activities as part of music practice routines. The oboe sounds on one side of the stereo channel and the bassoon on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56, 58 & 60 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. Accompaniments are available with and without ornaments in place. In the keyboard video score, which oboe & bassoon may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation representing exactly what is being played. Understand that ornaments can be interpreted differently and that performance practice is both an evolving and often reviewed subject. How ornaments are played at cadences in particular is a fascinating subject in the baroque era. Improvised and often complex cadential phrases are an aspect of performance that feature in performances. The best advice is to listen to the performances and learn to discriminate as a performer between good practice and not so good practice. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. Levels when they are played on different instruments may be different. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system established in Bach’s own time. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution and other processes are evident in Bach’s inventions as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Improve music practice routines playing Invention 2 BWV 773 arranged for French horn duo & sounding in the original key of C minor. The Bach Invention Show More...
Improve music practice routines playing Invention 2 BWV 773 arranged for French horn duo & sounding in the original key of C minor. The Bach Inventions as duos offer excellent music practice and performance opportunities. This is a melodic and quite contemplative two part invention and whilst ornaments are indicated in the score they do not sound in the realisation. A movement that needs to be played with feeling and sensitivity. The full score appropriately transposed has individual horn parts appended to the full score. The French horn 1 part is an octave lower than in the original piano version. The realisation plays back at 52 bpm The pdf sheet music download and play-a-long mp3 accompaniments are available to download from PlentyMusic. Playing the Bach Inventions as part of a duo encourages good intonation, that is, playing in tune, in duet playing. Legato playing is required when performing this invention in what is a slow tempo and melancholy movement. This is music that requires both method and determination in the way that it is approached. There are some octave transpositions in the second horn part in the closing section to keep to the instrument’s range. Bach composed much music as a teacher with the performing and teaching context often relating to his own children. Four of his sons became important composers relevant in music history because they link the baroque era with the classical. The inventions offer excellent opportunities to instrumentalists to improve their ensemble playing skill set and develop an understanding of baroque compositional processes. The inventions are uncompromising in the demands they place on performers requiring accuracy technique and concentrated listening. Accompaniments are in place allowing French horn players to participate in play-a-long ensemble activities as part of music practice routines. French horn 1 sounds on one side of the stereo channel and the French horn 2 on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56, 58 & 60 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. Accompaniments are available with and without ornaments in place. In the keyboard video score, which clarinettists may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation representing exactly what is being played. Understand that ornaments can be interpreted differently and that performance practice is both an evolving and often reviewed subject. The music editor has avoided ornaments sounding in different voices at the same time. How ornaments are played at cadences in particular is a fascinating subject in the baroque era. Improvised and often complex cadential phrases are an aspect of performance that feature in performances. The best advice is to listen to the performances and learn to discriminate as a performer between good practice and not so good practice. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. Levels when they are played on different instruments may be different. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system established in Bach’s own time. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution and other processes are evident in Bach’s inventions as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
J.S. Bach’s Invention 9 BWV 780 arranged electric guitar & bass guitar duo in its original key of F minor. A challenging invention to play particula Show More...
J.S. Bach’s Invention 9 BWV 780 arranged electric guitar & bass guitar duo in its original key of F minor. A challenging invention to play particularly from the note reading point of view. The #sheetmusic video plays back at 58 bpm and the music is presented in both staff notation & TAB. The arrangement is based on the original piano score. There are many accidentals to read and it is easy to make music reading errors. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. In the sheet music score the ornaments are indicated but do not sound. The ornamentation in place is placed at the important cadence points in the movement. In the keyboard video score, which guitar players may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The full score is presented in staff notation and the parts with the option of staff notation and TAB. Bass guitar players may well want to experiment with the octave choices in the higher sounding sections bars 5-7 and elsewhere in the movement. Accompaniments are in place allowing guitarists to participate in ensemble activities as part of practice routines. The electric guitar sounds on one side of the stereo channel and the bass guitar on the other. The accompaniment tracks play back at 52, 54, 56, 58, 60, 62 & 64 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. Playing the music of Bach is challenging and his style is demanding and uncompromising in the consistency required to perform it accurately. As a composer Bach is not so much an innovator but one of those who brings all the musical elements of his time together and takes them to an altogether much higher artistic and technical level. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Invention 9 BWV 780 arranged for classical guitar duo in the key of F minor is a challenging invention to play particularly from the note reading and Show More...
Invention 9 BWV 780 arranged for classical guitar duo in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There are many accidentals to read and it is easy to make music reading errors. The arrangement is based on the original piano score with some necessary octave transpositions in place in the guitar 2 part. Guitarists have the option of reading either from a staff notation or TAB score attached to the full score A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. In the sheet music score the ornaments are indicated but do not sound. The ornamentation in place is placed at the important cadence points in the movement. In the keyboard video score, which guitarists may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The realisation plays back at 58 quarter note or crotchet beats per minute. Accompaniments are in place allowing classical guitar players to participate in ensemble activities as part of practice routines. Classical guitar 1 sounds on one side of the stereo channel and the classical guitar 2 on the other. The accompaniment tracks play back at 52, 54, 56, 58, 60, 62 & 64 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. Playing the music of Bach is challenging and his style is demanding and uncompromising in the consistency required to perform it accurately. As a composer Bach is not so much an innovator but one of those who brings all the musical elements of his time together and takes them to an altogether much higher artistic and technical level. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Invention 9 BWV 780 sounding in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of vi Show More...
Invention 9 BWV 780 sounding in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There are many accidentals to read and it is easy to make music reading errors. This is an excellent movement to encourage good intonation in duet playing. There are some octave transpositions in the trombone part. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. Playing the F minor scale in both its melodic and harmonic form slowly would be excellent preparation for playing this movement. In the sheet music score the ornaments are indicated but do not sound. Both the bass and tenor clefs have been used in the notation of the score. The realisation plays back at 54 quarter note or crotchet beats per minute. Accompaniments are in place allowing trumpet and trombone players to participate in ensemble activities as part of practice routines. The trumpet in Bb sounds on one side of the stereo channel and the trombone on the other. The accompaniment tracks play back at 50, 52, 54, 56, 58, 60 & 62 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. In the keyboard video score, which trombonists may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution & other processes are evident in Bach’s Inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Invention 9 BWV 780 sounding in the key of F minor but notated in the key of D minor is a challenging invention to play particularly from the note re Show More...
Invention 9 BWV 780 sounding in the key of F minor but notated in the key of D minor is a challenging invention to play particularly from the note reading point of view. There are many accidentals to read and it is easy to make music reading errors. The octave range between the parts has been maintained wherever possible but some compromises have been made with octave transpositions in the baritone saxophone part. This is an excellent movement to encourage good intonation, that is playing in tune, in duet playing. An alternative option avoiding the low A is provided for the baritone part in the ossia stave bars 30 – 31. Do feedback to PlentyMusic your opinions on our arrangements and possible improvements that can be made. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. Playing the relevant transposed scale in both its melodic and harmonic forms would be the best preparation for playing this movement. In the sheet music score the ornaments are indicated but do not sound. The realisation plays back at 56 quarter note or crotchet beats per minute. Accompaniments are in place allowing saxophone players to participate in ensemble activities as part of practice routines. The alto saxophone sounds on one side of the stereo channel and the baritone saxophone on the other. The accompaniment tracks play back at 52, 54, 56, 58, 60, 62 & 64 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. In the keyboard video score, which saxophonists may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
J. S. Bach’s Invention 9 BWV 780 arranged for cello duo in the key of F minor is a challenging invention to play particularly from the note reading Show More...
J. S. Bach’s Invention 9 BWV 780 arranged for cello duo in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There are many accidentals to read and it is easy to make reading errors. The arrangement is based on the original piano score and presents quite challenging intonation (tuning) issues when played as a duet. The cello 1 part sounds an octave lower than in the piano score and is notated in the tenor clef. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. In the sheet music score the ornaments are indicated but do not sound. The ornamentation in place is placed at the important cadence points in the movement. In the keyboard video score, which string players may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The realisation plays back at 56 quarter note or crotchet beats per minute. Accompaniments are in place allowing string players to participate in ensemble activities as part of practice routines. The violin sounds on one side of the stereo channel and the viola on the other. The accompaniment tracks play back at 52, 54, 56, 58, 60, 62 & 64 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. Playing the music of Bach is challenging and his style is demanding and uncompromising in the consistency required to perform it accurately. As a composer Bach is not so much an innovator but one of those who brings all the musical elements of his time together and takes them to an altogether much higher artistic and technical level. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Invention 9 BWV 780 sounding in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of vi Show More...
Invention 9 BWV 780 sounding in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There are many accidentals to read and it is easy to make music reading errors. #sheetmusic & accompaniments link: The trombone 1 sounds an octave lower than in the original piano version whilst the tuba part is an octave lower than in the original keyboard version. This is an excellent movement to encourage good intonation (playing in tune) in duet playing. A legato playing approach is required in the playing in what is a slow tempo movement. Playing the F minor scale in both its melodic and harmonic form slowly would be good preparation for playing this movement. In the sheet music score the ornaments are indicated but do not sound. Both the bass and tenor clefs have been used in the notation of the trombone part. The #sheetmusic video plays back at 52 quarter note or crotchet beats per minute. Accompaniments are in place allowing the brass players to participate in ensemble activities as part of practice routines. The trombone sounds on one side of the stereo channel and the tuba on the other. The accompaniment tracks play back at 48, 50 52, 54, 56, 58, 60, & 62 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. In the keyboard video score, which trombonists may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Invention 9 BWV 780 arranged for 2 horns in F familiarly referred to as French horns though the instrument’s origins are in Germany. The Invention s Show More...
Invention 9 BWV 780 arranged for 2 horns in F familiarly referred to as French horns though the instrument’s origins are in Germany. The Invention sounds in the key of F minor although accidentals are in place in the notation, not key signatures, as is the convention when arranging music for this instrument. It is a challenging invention to play particularly from the note reading and voice leading point of view. There are many accidentals to read and it is easy to make music reading errors. There are some octave transpositions in the two voices although this remains an excellent movement to encourage good intonation (playing in tune) in duet playing. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. Playing the F minor scale in both its melodic and harmonic form would be good preparation for playing this movement. In the sheet music score the ornaments are indicated but do not sound. The realisation plays back at 56 quarter note or crotchet beats per minute. Accompaniments are in place allowing horn players to participate in ensemble activities as part of practice routines. French horn 1 sounds on one side of the stereo channel and French horn 2 on the other. The accompaniment tracks play back at 50, 52, 54, 56, 58, 60 & 62 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. In the keyboard video score, which trombonists may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Invention 9 BWV 780 sounding in the key of F minor, with the score and parts transposed to the key of G minor, is a challenging invention to play part Show More...
Invention 9 BWV 780 sounding in the key of F minor, with the score and parts transposed to the key of G minor, is a challenging invention to play particularly from the note reading point of view. There are many accidentals to read and it is easy to make music reading errors. Listen to performances of the music so that the melodic and shapes are familiar. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. In the sheet music score the ornaments are indicated but do not sound. The realisation plays back at 58 quarter note or crotchet beats per minute. Accompaniments are in place allowing clarinet players to participate in ensemble activities as part of practice routines. The clarinet in Bb sounds on one side of the stereo channel and the bass clarinet in Bb 2 on the other. The accompaniment tracks play back at 52, 54, 56, 58, 60, 62 & 64 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. In the keyboard video score, which clarinettists may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. In addition, that he was not sadly. They are excellent pieces for ensemble playing. Close
Invention 9 BWV 780 sounding in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of vi Show More...
Invention 9 BWV 780 sounding in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There are many accidentals to read and it is easy to make music reading errors. The octave range between the parts has been maintained wherever possible but some compromises have been made with octave displacements in the tenor saxophone part. This is an excellent movement to encourage good intonation in duet playing. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. Playing the G minor scale in both its melodic and harmonic form will be good preparation for playing this movement. In the sheet music score the ornaments are indicated but do not sound. The realisation plays back at 56 quarter note or crotchet beats per minute. Accompaniments are in place allowing saxophone players to participate in ensemble activities as part of practice routines. The soprano saxophone sounds on one side of the stereo channel and the tenor saxophone on the other. The accompaniment tracks play back at 54, 56, 58, 60, 62 & 64 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. In the keyboard video score, which saxophonists may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Invention 9 BWV 780 in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There Show More...
Invention 9 BWV 780 in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There are many accidentals to read and it is easy to make music reading errors. There are some octave range transpositions in the clarinet part. An excellent movement to encourage good intonation (tuning) and the voice leading / leading note in their playing. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. Good preparation for playing this movement would be to play the Fminor scale in both its melodic and harmonic form. In the sheet music score the ornaments are indicated but do not sound. The realisation plays back at 58 quarter note or crotchet beats per minute. Accompaniments are in place allowing flute and clarinet players to participate in ensemble activities as part of practice routines. The flute sounds on one side of the stereo channel and the clarinet in Bb on the other. The accompaniment tracks play back at 54, 56, 58, 60, 62 & 64 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. In the keyboard video score, which flute players in this instance might want to reference on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. In addition, that he was not sadly. They are excellent pieces for ensemble playing. Close
Invention 9 BWV 780 arranged for violin & viola in the key of F minor is a challenging invention to play particularly from the note reading and voice Show More...
Invention 9 BWV 780 arranged for violin & viola in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There are many accidentals to read and it is easy to make reading errors. The arrangement is based on the original piano score and presents quite challenging intonation (tuning) issues. That said an excellent test piece for those who have a good musical ear and need to clarify their understanding of the term voice leading / leading note in their playing. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. In the sheet music score the ornaments are indicated but do not sound. The ornamentation in place is placed at the important cadence points in the movement. In the keyboard video score, which string players may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The realisation plays back at 58 quarter note or crotchet beats per minute. Accompaniments are in place allowing string players to participate in ensemble activities as part of practice routines. The violin sounds on one side of the stereo channel and the viola on the other. The accompaniment tracks play back at 52, 54, 56, 58, 60, 62 & 64 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. Playing the music of Bach is challenging and his style is demanding and uncompromising in the consistency required to perform it accurately. As a composer Bach is not so much an innovator but one of those who brings all the musical elements of his time together and takes them to an altogether much higher artistic and technical level. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Invention 9 BWV 780 arranged for violin & cello in the key of F minor is a challenging invention to play particularly from the note reading and voice Show More...
Invention 9 BWV 780 arranged for violin & cello in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There are many accidentals to read and it is easy to make music reading errors. The arrangement is based on the original piano score and presents quite challenging intonation (tuning) issues. That said an excellent test piece for those who have a good musical ear and need to clarify their understanding of the term voice leading / leading note in their playing. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. In the sheet music score the ornaments are indicated but do not sound. The ornamentation in place is placed at the important cadence points in the movement. In the keyboard video score, which string players may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The realisation plays back at 58 quarter note or crotchet beats per minute. Accompaniments are in place allowing string players to participate in ensemble activities as part of practice routines. The violin sounds on one side of the stereo channel and the cello on the other. The accompaniment tracks play back at 52, 54, 56, 58, 60, 62 & 64 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. Playing the music of Bach is challenging and his style is demanding and uncompromising in the consistency required to perform it accurately. As a composer Bach is not so much an innovator but one of those who brings all the musical elements of his time together and takes them to an altogether much higher artistic and technical level. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Invention 9 BWV 780 in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There Show More...
Invention 9 BWV 780 in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There are many accidentals to read and it is easy to make music reading errors. The octave range or more is not so much in evidence in place in this arrangement presenting quite challenging intonation (tuning) issues. That said an excellent test piece for those who have a good musical ear and need to clarify their understanding of the term voice leading / leading note in their playing. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. In the sheet music score the ornaments are indicated but do not sound. The ornamentation in place is placed at the important cadence points in the movement. In the keyboard video score, which clarinettists may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The #sheetmusic video plays back at 56 quarter note or crotchet beats per minute. Accompaniments are in place allowing flute players to participate in ensemble activities as part of practice routines. Flute 1 sounds on one side of the stereo channel and flute 2 on the other. The accompaniment tracks play back at 54, 56, 58, 60, 62 & 64 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. Playing the music of Bach is challenging and his style is demanding and uncompromising in the consistency required to perform it accurately. As a composer Bach is not so much an innovator but one of those who brings all the musical elements of his time together and takes them to an altogether much higher artistic and technical level. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent ensemble movements. Close
Invention 9 BWV 780 in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There Show More...
Invention 9 BWV 780 in the key of F minor is a challenging invention to play particularly from the note reading and voice leading point of view. There are many accidentals to read and it is, if you believe the music editor, so easy to make music reading errors. The octave range or more is not in place in this arrangement presenting quite challenging intonation (tuning) issues. That said an excellent test piece for those who have a good musical ear and need to clarify their understanding of the term voice leading / leading note in their playing. A legato playing approach is required in the playing in what is a slow tempo and melancholy movement. In the sheet music score the ornaments are indicated but do not sound. The realisation plays back at 58 quarter note or crotchet beats per minute. Accompaniments are in place allowing clarinet players to participate in ensemble activities as part of practice routines. The clarinet in Bb 1 sounds on one side of the stereo channel and the clarinet in Bb 2 on the other. The accompaniment tracks play back at 54, 56, 58, 60, 62 & 64 quarter note (crotchet) beats per minute. There is a two bar count in /click track at the beginning of the accompaniment tracks. In the keyboard video score, which clarinettists may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation & diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. In addition, that he was not sadly. They are excellent pieces for ensemble playing. Close
J. S. Bach’s Invention 10 BWV781 in an arrangement for two oboes in the original key of G. The realisation plays back at 84 dotted quarter (crotche Show More...
J. S. Bach’s Invention 10 BWV781 in an arrangement for two oboes in the original key of G. The realisation plays back at 84 dotted quarter (crotchet) note beats to the minute. There are some octave transpositions in the oboe 2 part. Whilst score detail is generally not in place on Bach scores although it is necessary for instrumentalists to have a clear intention of how the music is to be played. Many play the invention articulating the eighth note or quavers staccato while others play the movement with a legato touch. The former approach requires a lightness in the playing which can be challenging because of the tension it creates. The music editor’s view is that a combination of articulations should feature in a performance with eighth or quaver notes played with a staccato touch and longer notes legato. Certainly a lightness in the playing needs to prevail. Players should listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement. Remember also that movements cannot be played quickly until they be played slowly! In the video score, ornaments are indicated by symbols but do not sound in the playback. For instrumentalists wishing to incorporate ornamentation into their performances refer to the piano realisation featured on our YouTube channel which has the ornamentation written out exactly as the music editor suggests they should be played. https://youtu.be/xuQK5i2lf44 Ornamentation is an aspect of performance that invites different and frequently contrasting interpretations. Bach’s music belongs to the baroque era and whilst the composer himself was quite clear about the ornaments he used and how they should be played later editors of his music have often added to original intentions. The inventions are also probably best studied in the first instance without ornaments in place. An additional factor is that the intended instrument on which the inventions were played, the harpsichord, is one that does not feature sustained sounds. Long notes as such require some consideration, hence the need for ornamentation. Another view or approach to ornamentation is that apart from adding to the music they should have a sense of being improvised. The music editor has chosen not to double ornaments where they occur in both voices simply because it lessens the contrast in the parts. Accompaniments are in place allowing oboe players to participate in ensemble activities as part of practice routines. Oboe 1 sounds on one side of the stereo channel and oboe 2 on the other. The accompaniment tracks play back at 72, 76, 80, 84, 88, 92, 96, 100 and 104 dotted quarter note (crotchet) beats per minute. There is two bar count in /click track at the beginning of the accompaniment tracks. There are three dotted quarter or crotchet beats to the bar indicated by the 9/8 time signature. Should more accompaniments be required at either slower or faster tempi please advise the PlentyMusic office. Whilst the ornaments are indicated in the sheet music score they do not sound in the accompaniment scores. For those intending to play the ornaments refer to the piano sheet music video on our YouTube channel. In this score the ornaments have been written out as they should be played. https://youtu.be/xuQK5i2lf44 The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation and diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure technique. Close
J.S.Bach’s Invention 10 BWV 781 in an arrangement for electric & bass guitar duo in the original key of G. This Invention features many musical sha Show More...
J.S.Bach’s Invention 10 BWV 781 in an arrangement for electric & bass guitar duo in the original key of G. This Invention features many musical shapes based on chords and consequently lends itself to chord playing instruments. The realisation plays back at 84 dotted quarter (crotchet) note beats to the minute. Whilst score detail is generally not in place on Bach scores although it is necessary for instrumentalists to have a clear intention of how the music is to be played. Guitar players have the option of using either a notated or TAB score. As notes can be played in different positions on the electric and bass guitar fretboards players may well want to review the suggestions given in the PlentyMusic TAB scores. Players should listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement. Remember also that movements cannot be played quickly until they be played slowly! In the video score, ornaments are indicated by symbols but do not sound in the playback. For instrumentalists wishing to incorporate ornamentation into their performances refer to the piano realisation featured on our YouTube channel which has the ornamentation written out exactly as the music editor suggests they should be played. https://youtu.be/xuQK5i2lf44 Ornamentation is an aspect of performance that invites different and frequently contrasting interpretations. Bach’s music belongs to the baroque era and whilst the composer himself was quite clear about the ornaments he used and how they should be played later editors of his music have often added to original intentions. The inventions are also probably best studied in the first instance without ornaments in place. An additional factor is that the intended instrument on which the inventions were played, the harpsichord, is one that does not feature sustained sounds. Long notes as such require some sort of addition, hence the need for ornamentation. Another view or approach to ornamentation is that apart from adding to the music they should have a sense of being improvised. The music editor has chosen not to double ornaments where they occur in both voices simply because it lessens the contrast in the parts. Accompaniments are in place allowing guitarists to participate in ensemble activities as part of practice routines. The electric guitar sounds on one side of the stereo channel and bass guitar on the other. The accompaniment tracks play back at 72, 76, 80, 84, 88, 92, 96 100 104 and 108 dotted quarter note (crotchet) beats per minute. There is two bar count in /click track at the beginning of the accompaniment tracks. There are three dotted quarter or crotchet beats to the bar indicated by the 9/8 time signature. Should more accompaniments be required at either slower or faster tempi please advise the PlentyMusic office. Whilst the ornaments are indicated in the sheet music score they do not sound in the accompaniment scores. For those intending to play the ornaments refer to the piano sheet music video on our YouTube channel. In this score the ornaments have been written out as they should be played. https://youtu.be/xuQK5i2lf44 The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation and diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure technique. Close
J.S.Bach’s Invention 10 BWV 781 in an arrangement for mandolin & classical guitar in the original key of G. This Invention features many musical sh Show More...
J.S.Bach’s Invention 10 BWV 781 in an arrangement for mandolin & classical guitar in the original key of G. This Invention features many musical shapes based on chords and consequently lends itself to chord playing instruments. The realisation plays back at 84 dotted quarter (crotchet) note beats to the minute. Whilst score detail is generally not in place on Bach scores although it is necessary for instrumentalists to have a clear intention of how the music is to be played. Both the mandolin and classical guitar players have the option from reading a notatated or TAB score. Other guitars can be substituted for the suggested classical guitar Players should listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement. Remember also that movements cannot be played quickly until they be played slowly! In the video score, ornaments are indicated by symbols but do not sound in the playback. For instrumentalists wishing to incorporate ornamentation into their performances refer to the piano realisation featured on our YouTube channel which has the ornamentation written out exactly as the music editor suggests they should be played. https://youtu.be/xuQK5i2lf44 Ornamentation is an aspect of performance that invites different and frequently contrasting interpretations. Bach’s music belongs to the baroque era and whilst the composer himself was quite clear about the ornaments he used and how they should be played later editors of his music have often added to original intentions. The inventions are also probably best studied in the first instance without ornaments in place. An additional factor is that the intended instrument on which the inventions were played, the harpsichord, is one that does not feature sustained sounds. Long notes as such require some sort of addition, hence the need for ornamentation. Another view or approach to ornamentation is that apart from adding to the music they should have a sense of being improvised. The music editor has chosen not to double ornaments where they occur in both voices simply because it lessens the contrast in the parts. Accompaniments are in place allowing mandolin & guitar players to participate in ensemble activities as part of practice routines. The mandolin sounds on one side of the stereo channel and the classical guitar on the other. The accompaniment tracks play back at 72, 76, 80, 84, 88, 92, 96 100 104 and 108 dotted quarter note (crotchet) beats per minute. There is two bar count in /click track at the beginning of the accompaniment tracks. There are three dotted quarter or crotchet beats to the bar indicated by the 9/8 time signature. Mandolin music often features tremolo playing and certainly in the long trills there is opportunity to explore this aspect mandolin technique. Should more accompaniments be required at either slower or faster tempi please advise the PlentyMusic office. Whilst the ornaments are indicated in the sheet music score they do not sound in the accompaniment scores. For those intending to play the ornaments refer to the piano sheet music video on our YouTube channel. In this score the ornaments have been written out as they should be played. https://youtu.be/xuQK5i2lf44 The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation and diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure technique. Close
J. S. Bach’s Invention 10 BWV781 in an arrangement for oboe & bassoon duo in the original key of G. This Invention features many musical shapes bas Show More...
J. S. Bach’s Invention 10 BWV781 in an arrangement for oboe & bassoon duo in the original key of G. This Invention features many musical shapes based on chords and consequently lends itself to chord playing instruments. The realisation plays back at 84 dotted quarter (crotchet) note beats to the minute. Whilst score detail is generally not in place on Bach scores although it is necessary for instrumentalists to have a clear intention of how the music is to be played. Many play the invention articulating the eighth note or quavers staccato while others play the movement with a legato touch. The former approach requires a lightness of touch and can be a challenging to play because of the tension it creates. The music editor’s view is that a combination of articulations should feature in a performance with eighth or quaver notes played with a staccato touch and longer notes legato. Certainly a lightness in the playing needs to prevail. Players should listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement. Remember also that movements cannot be played quickly until they be played slowly! In the video score, ornaments are indicated by symbols but do not sound in the playback. For instrumentalists wishing to incorporate ornamentation into their performances refer to the piano realisation featured on our YouTube channel which has the ornamentation written out exactly as the music editor suggests they should be played. https://youtu.be/xuQK5i2lf44 Ornamentation is an aspect of performance that invites different and frequently contrasting interpretations. Bach’s music belongs to the baroque era and whilst the composer himself was quite clear about the ornaments he used and how they should be played later editors of his music have often added to original intentions. The inventions are also probably best studied in the first instance without ornaments in place. An additional factor is that the intended instrument on which the inventions were played, the harpsichord, is one that does not feature sustained sounds. Long notes as such require some sort of addition, hence the need for ornamentation. Another view or approach to ornamentation is that apart from adding to the music they should have a sense of being improvised. The music editor has chosen not to double ornaments where they occur in both voices simply because it lessens the contrast in the parts. Accompaniments are in place allowing oboe and bassoon players to participate in ensemble activities as part of practice routines. The oboe sounds on one side of the stereo channel and the bassoon on the other. The accompaniment tracks play back at 72, 76, 80, 84, 88, 92, 96 100 and 104 dotted quarter note (crotchet) beats per minute. There is two bar count in /click track at the beginning of the accompaniment tracks. There are three dotted quarter or crotchet beats to the bar indicated by the 9/8 time signature. Should more accompaniments be required at either slower or faster tempi please advise the PlentyMusic office. Whilst the ornaments are indicated in the sheet music score they do not sound in the accompaniment scores. For those intending to play the ornaments refer to the piano sheet music video on our YouTube channel. In this score the ornaments have been written out as they should be played. https://youtu.be/xuQK5i2lf44 The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation and diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure technique. Close
J.S.Bach’s Invention 10 BWV 781 in an arrangement for classical guitar duo in the original key of G. This Invention features many musical shapes ba Show More...
J.S.Bach’s Invention 10 BWV 781 in an arrangement for classical guitar duo in the original key of G. This Invention features many musical shapes based on chords and consequently lends itself to chord playing instruments. The realisation plays back at 84 dotted quarter (crotchet) note beats to the minute. Whilst score detail is generally not in place on Bach scores although it is necessary for instrumentalists to have a clear intention of how the music is to be played. Players should listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement. Remember also that movements cannot be played quickly until they be played slowly! In the video score, ornaments are indicated by symbols but do not sound in the playback. For instrumentalists wishing to incorporate ornamentation into their performances refer to the piano realisation featured on our YouTube channel which has the ornamentation written out exactly as the music editor suggests they should be played. https://youtu.be/xuQK5i2lf44 Ornamentation is an aspect of performance that invites different and frequently contrasting interpretations. Bach’s music belongs to the baroque era and whilst the composer himself was quite clear about the ornaments he used and how they should be played later editors of his music have often added to original intentions. The inventions are also probably best studied in the first instance without ornaments in place. An additional factor is that the intended instrument on which the inventions were played, the harpsichord, is one that does not feature sustained sounds. Long notes as such require some sort of addition, hence the need for ornamentation. Another view or approach to ornamentation is that apart from adding to the music they should have a sense of being improvised. The music editor has chosen not to double ornaments where they occur in both voices simply because it lessens the contrast in the parts. Accompaniments are in place allowing guitarists to participate in ensemble activities as part of practice routines. Classical guitar 1 sounds on one side of the stereo channel and classical guitar 2 on the other. The accompaniment tracks play back at 72, 76, 80, 84, 88, 92, 96 100 104 and 108 dotted quarter note (crotchet) beats per minute. There is two bar count in /click track at the beginning of the accompaniment tracks. There are three dotted quarter or crotchet beats to the bar indicated by the 9/8 time signature. Contrasting guitar sounds have been used. Should more accompaniments be required at either slower or faster tempi please advise the PlentyMusic office. Whilst the ornaments are indicated in the sheet music score they do not sound in the accompaniment scores. For those intending to play the ornaments refer to the piano sheet music video on our YouTube channel. In this score the ornaments have been written out as they should be played. https://youtu.be/xuQK5i2lf44 The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation and diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure technique. Close
J.S.Bach’s Invention 10 BWV 781 in an arrangement for violin & viola in the original key of G is a challenging invention to play simply from how t Show More...
J.S.Bach’s Invention 10 BWV 781 in an arrangement for violin & viola in the original key of G is a challenging invention to play simply from how the players decide to articulate the notes. The realisation plays back at 96 dotted quarter (crotchet) note beats to the minute. A number of musical shapes based on chords feature strongly in this movement. Score detail is generally not in place on Bach scores although it is necessary for instrumentalists to have a clear intention of how the music is to be played. Many play the invention articulating the eighth note or quavers staccato while others play the movement with a legato touch. The former approach requires a lightness of touch and can be a challenging to play because of the tension it created in the hands and wrist. The music editor’s view is that a combination of articulations should feature in a performance with eighth or quaver notes played with a staccato touch and longer notes legato. Certainly a lightness in the playing needs to prevail. Players should listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement. Remember also that movements cannot be played quickly until they be played slowly! In the video score, ornaments are indicated by symbols but do not sound in the playback. For instrumentalists wishing to incorporate ornamentation into their performances refer to the piano realisation featured on our YouTube channel which has the ornamentation written out exactly as the music editor suggests they should be played. https://youtu.be/xuQK5i2lf44 Ornamentation is an aspect of performance that invites different and frequently contrasting interpretations. Bach’s music belongs to the baroque era and whilst the composer himself was quite clear about the ornaments he used and how they should be played later editors of his music have often added to original intentions. The inventions are also probably best studied in the first instance without ornaments in place. An additional factor is that the intended instrument on which the inventions were played, the harpsichord, is one that does not feature sustained sounds. Long notes as such require some sort of addition, hence the need for ornamentation. Another view or approach to ornamentation is that apart from adding to the music they should have a sense of being improvised. The music editor has chosen not to double ornaments where they occur in both voices simply because it lessens the contrast in the parts. Accompaniments are in place allowing string players to participate in ensemble activities as part of practice routines. The violin sounds on one side of the stereo channel and the viola on the other. The accompaniment tracks play back at 72, 76, 80, 84, 88, 92, 96 100 104 and 108 dotted quarter note (crotchet) beats per minute. There is two bar count in /click track at the beginning of the accompaniment tracks. There are three dotted quarter or crotchet beats to the bar indicated by the 9/8 time signature. Should more accompaniments be required at either slower or faster tempi please advise the PlentyMusic office. Whilst the ornaments are indicated in the sheet music score they do not sound in the accompaniment scores. For those intending to play the ornaments refer to the piano sheet music video on our YouTube channel. In this score the ornaments have been written out as they should be played. https://youtu.be/xuQK5i2lf44 The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation and diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure technique. Close
J.S.Bach’s Invention 10 BWV 781 in an arrangement for flute in the original key of G is a challenging invention to play simply from how the players Show More...
J.S.Bach’s Invention 10 BWV 781 in an arrangement for flute in the original key of G is a challenging invention to play simply from how the players decide to articulate the notes. The realisation plays back at 96 dotted quarter (crotchet) note beats to the minute. It is interesting to observe the approaches to playing this movement. Many play the invention articulating the eighth note or quavers staccato while others play the movement with a legato touch. The former approach requires a lightness of touch and can be a challenging to play because of the tension created. The music editor’s view is that a combination of articulations should feature in a performance with eighth or quaver notes played with a staccato touch and longer notes legato. Certainly a lightness in the playing needs to prevail. Players should listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement. Remember also that movements cannot be played quickly until they be played slowly! In the video score, ornaments are indicated by symbols but do not sound in the playback. For instrumentalists wishing to incorporate ornamentation into their performances refer to the piano realisation featured on our YouTube channel which has the ornamentation written out exactly as the music editor suggests they should be played. https://youtu.be/xuQK5i2lf44 Ornamentation is an aspect of performance that invites different and frequently contrasting interpretations. Bach’s music belongs to the baroque era and whilst the composer himself was quite clear about the ornaments he used and how they should be played later editors of his music have often added to original intentions. The Inventions are also probably best studied in the first instance without ornaments in place. An additional factor is that the intended instrument on which the inventions were played, the harpsichord, is one that does not feature sustained sounds. Long notes as such require some sort of addition, hence the need for ornamentation. Another view or approach to ornamentation is that apart from adding to the music they should have a sense of being improvised. The music editor has chosen not to double ornaments where they occur in both voices simply because it lessens the contrast in the parts. Accompaniments are in place allowing flautists players to participate in ensemble activities as part of practice routines. Flute 1 sounds on one side of the stereo channel and Flute 2 on the other. The accompaniment tracks play back at 72, 76, 80, 84, 88, 92, 96 100 104 and 108 dotted quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is two bar count in /click track at the beginning of the accompaniment tracks. There are three dotted quarter or crotchet beats to the bar indicated by the 9/8 time signature. Should more accompaniments be required at either slower or faster tempi please advise the PlentyMusic office. Whilst the ornaments are indicated in the sheet music score they do not sound in the accompaniment scores. For those intending to play the ornaments refer to the piano sheet music video on our YouTube channel. In this score the ornaments have been written out as they should be played. https://youtu.be/xuQK5i2lf44 The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation and diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure technique. Close
J .S. Bach’s Invention 11 BWV 782 arr. trombone & bass trombone duo is a work exploring the minor scale. The chromatic element in the movement is st Show More...
J .S. Bach’s Invention 11 BWV 782 arr. trombone & bass trombone duo is a work exploring the minor scale. The chromatic element in the movement is strong and the accidentals make this a challenging score to both read and memorise. The sounding key is G minor which is the key for the original piano version. The best preparation for playing this movement is to play the minor scale appropriately transposed in both its forms slowly until the sound of each is familiar. In this video score ornaments are not in place. The playback tempo in the arrangement for the trombone & bass trombone is 58 quarter note or crotchet beats to the minute. The suggestion is that the movement can be played both at slower and faster tempo. The inventions are concentrated demanding movements to play in an ensemble context but excellent for encouraging listening skills, good intonation and accurate playing. The movement is probably best learnt without the ornaments in place in the first instance. Legato playing is needed in a performance although there is scope to broaden the detail of how the notes are articulated. Any exaggerated playing does need to be avoided. Accompaniments are in place allowing clarinet players to participate in ensemble activities as part of practice routines. Each clarinet sounds on one side of the stereo channel with the accompaniment tracks playing back at 54, 56, 58, 60, 62, 64 and 66 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks Instrumentalists should spend time listening to performances of the work by a range of musical instruments to understanding playing approaches. Players will possibly need to edit their scores with reminders about accidentals within the bar. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. Playing levels will perhaps need to be reviewed when different instrument combinations are involved. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure keyboard technique. When played in an ensemble context there is not much other music that can better prepare players for this type of music activity. Those learning how to use music notation software and improve their listening skills will find this an excellent study to copy simply because of the many accidentals that require attention from the listening and notation point of view. Accurate notation will suggest an excellent understanding of the staff notation system. Close
J.S.Bach’s Invention 10 BWV 781 in an arrangement for violin & cello in the original key of G is a challenging invention to play simply from how th Show More...
J.S.Bach’s Invention 10 BWV 781 in an arrangement for violin & cello in the original key of G is a challenging invention to play simply from how the players decide to articulate the notes. The realisation plays back at 84 dotted quarter (crotchet) note beats to the minute. It is interesting to observe the approaches to playing this movement. Many play the invention articulating the eighth note or quavers staccato while others play the movement with a legato touch. The former approach requires a lightness of touch and can be a challenging to play because of the tension created in the hands and wrist. The music editor’s view is that a combination of articulations should feature in a performance with eighth or quaver notes played with a staccato touch and longer notes legato. Players should listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement. Remember that movements cannot be played quickly until they be played slowly! In the video score, ornaments are indicated by symbols and sound in the playback as they should be played. For instrumentalists wishing to incorporate ornamentation into their performances refer to the piano realisation featured on our YouTube channel which has the ornamentation written out exactly as the music editor suggests they should be played. https://youtu.be/xuQK5i2lf44 Ornamentation is an aspect of performance that invites different and frequently contrasting interpretations. Bach’s music belongs to the baroque era and whilst the composer himself was quite clear about the ornaments he used and how they should be played later editors of his music have often added to original intentions. The Inventions are also probably best studied in the first instance without ornaments in place. An additional factor is that the intended instrument on which the Inventions were played, the harpsichord, is one that does not feature sustained sounds. Long notes as such require some sort of addition, hence the need for ornamentation. Another view or approach to ornamentation is that apart from adding to the music they should have a sense of being improvised. The music editor has chosen not to double ornaments where they occur in both voices simply because it lessens the contrast in the parts. Accompaniments are in place allowing violin & cello players to participate in ensemble activities as part of practice routines. The violin sounds on one side of the stereo channel and the cello on the other. The accompaniment tracks play back at 72, 76, 80, 84, 88, 92 96 100 104 and 108 dotted quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is two bar count in /click track at the beginning of the accompaniment tracks. There are three dotted quarter or crotchet beats to the bar indicated by the 9/8 time signature. Should more accompaniments be required at either slower or faster tempi please advise the PlentyMusic office. Whilst the ornaments are indicated in the sheet music score they do not sound in the accompaniment scores. For those intending to play the ornaments refer to the piano sheet music video on our YouTube channel. In this score the ornaments have been written out as they should be played. https://youtu.be/xuQK5i2lf44 The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key system. Inversion, repetition, sequence, transposition, rhythmic augmentation and diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure technique. Close
J .S. Bach’s Invention 11 BWV 782 arranged for classical guitar duo is a work exploring the minor scale. The chromatic element in the movement is st Show More...
J .S. Bach’s Invention 11 BWV 782 arranged for classical guitar duo is a work exploring the minor scale. The chromatic element in the movement is strong and the accidentals make this a challenging score to read and memorise. The pdf sheet music download has parts notated in both staff & TAB notation. The best preparation for playing this movement is to play the minor scale appropriately in both its forms slowly until the sound of each is familiar. Ornaments are not in place in this arrangement. The full music score is presented in staff notation and the attached parts are in staff notation and TAB. The guitar is an instrument where the same note can be played on different strings so players may well wish to review the rather literal translation of the notes to TAB. The playback score in this arrangement for classical guitar duo has a tempo of 60 quarter note or crotchet beats to the minute. The suggestion is that the movement can be played both at slower and faster tempo. The inventions are concentrated demanding movements to play in an ensemble context but excellent for encouraging listening skills, good intonation and accurate playing. The movement is probably best learnt without the ornaments in place in the first instance. Legato playing is needed in a performance although there is scope to broaden the detail of how the notes are articulated. Any exaggerated playing does need to be avoided. Accompaniments are in place allowing classical guitar players to participate in ensemble activities as part of practice routines. Classical guitar 1 sounds on one side of the stereo channel and classical guitar 2 on the other. The accompaniment tracks play back at 56, 58, 60, 62, 64, 66 and 68 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. Instrumentalists should spend time listening to performances of the work by a range of musical instruments to understanding playing approaches. Players will possibly need to edit their scores with reminders about accidentals within the bar. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. Playing levels will perhaps need to be reviewed when different instrument combinations are involved. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other processes are evident in Bach’s inventions as in most music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to the composition techniques of the baroque. They are excellent pieces for developing a sound and secure keyboard technique. When played in an ensemble context there is not much other music that can better prepare players for this type of music activity. The inventions are quite uncompromising in their demands. Those learning how to use music notation software and improve their listening skills will find this an excellent study to copy simply because of the many accidentals that require attention from the listening and notation point of view. Accurate notation will suggest an excellent understanding of the staff notation system. Close
J .S. Bach’s Invention 11 BWV 782 arranged for flute & clarinet in Bb duo is a work exploring the minor scale. The chromatic element in the movemen Show More...
J .S. Bach’s Invention 11 BWV 782 arranged for flute & clarinet in Bb duo is a work exploring the minor scale. The chromatic element in the movement is strong and the accidentals make this a challenging score to both read and commit to memory. The best preparation for playing this movement is to play the minor scale at sounding pitch in both its forms slowly until the sound of each is familiar. In this video score ornaments are not in place. In the original piano version of the inventions the use of treble and bass clef ensures an interval distance of usually more than an octave. In this arrangement the music editor has maintained this where it is appropriate but when necessary the clarinet in Bb part has some octave transpositions to keep to the range of the instrument. The playback score in the arrangement for the flute & clarinet in Bb duo has a tempo of 60 quarter note or crotchet beats to the minute. The suggestion is that the movement can be played both at slower and faster tempo. The inventions are concentrated demanding movements to play in an ensemble context but excellent for encouraging listening skills, good intonation and accurate playing. The movement is probably best learnt without the ornaments in place in the first instance. Legato playing is needed in a performance although there is scope to broaden the detail of how the notes are articulated. Any exaggerated playing does need to be avoided. Accompaniments are in place allowing flute & clarinet players to participate in ensemble activities as part of practice routines. The flute sounds on one side of the stereo channel and the clarinet on the other whilst the accompaniment tracks play back at 56, 58, 60, 62, 64, 66 and 68 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks Instrumentalists should spend time listening to performances of the work by a range of musical instruments to understanding playing approaches. Players will possibly need to edit their scores with reminders about accidentals within the bar. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. Playing levels will perhaps need to be reviewed when different instrument combinations are involved. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure keyboard technique. When played in an ensemble context there is not much other music that can better prepare players for this type of music activity. Those learning how to use music notation software and improve their listening skills will find this an excellent study to copy simply because of the many accidentals that require attention from the listening and notation point of view. Accurate notation will suggest an excellent understanding of the staff notation system. Close
J .S. Bach’s Invention 11 BWV 782 arr. soprano & tenor saxophone duo is a work exploring the minor scale. The chromatic element in the movement is s Show More...
J .S. Bach’s Invention 11 BWV 782 arr. soprano & tenor saxophone duo is a work exploring the minor scale. The chromatic element in the movement is strong and the accidentals make this a challenging score to both read and commit to memory. The sounding key is G minor which is the key for the original piano version. The full score and attached parts have been transposed. The best preparation for playing this movement is to play the minor scale in both its forms at the sounding pitch. In this score ornaments are not in place. The playback score in the arrangement for soprano and tenor saxophones has a tempo of 60 quarter note or crotchet beats to the minute. The suggestion is that the movement can be played both at slower and faster tempo. The inventions are concentrated demanding movements to play in an ensemble context but excellent for encouraging listening skills, good intonation and accurate playing. The movement is probably best learnt without the ornaments in place in the first instance. Legato playing is needed in a performance although there is scope to broaden the detail of how the notes are articulated. Any exaggerated playing does need to be avoided. Accompaniments are in place allowing saxophone players to participate in ensemble activities as part of practice routines. Each clarinet sounds on one side of the stereo channel with the accompaniment tracks playing back at 56, 58, 60, 62, 64, 66 and 68 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks Instrumentalists should spend time listening to performances of the work by a range of musical instruments to understanding playing approaches. Players will possibly need to edit their scores with reminders about accidentals within the bar. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. Playing levels will perhaps need to be reviewed when different instrument combinations are involved. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure keyboard technique. When played in an ensemble context there is not much other music that can better prepare players for this type of music activity. Those learning how to use music notation software and improve their listening skills will find this an excellent study to copy simply because of the many accidentals that require attention from the listening and notation point of view. Accurate notation will suggest an excellent understanding of the staff notation system. Close
J .S. Bach’s Invention 11 BWV 782 arranged for electric guitar and bass guitar is a work exploring the minor scale. The chromatic element in the mov Show More...
J .S. Bach’s Invention 11 BWV 782 arranged for electric guitar and bass guitar is a work exploring the minor scale. The chromatic element in the movement is strong and the accidentals make this a challenging score to read and commit to memory. The best preparation for playing this movement is to play the minor scale appropriately transposed in both its forms slowly until the sound of each is familiar. The original keyboard version of the 15 Bach Inventions are in 15 different keys and provide excellent examples to familiarisers players with the key system. Ornaments are not in place in this arrangement. The full music score is presented in staff notation and the attached parts are in staff notation and TAB. The guitar is an instrument where the same note can be played on different strings so players may well wish to review the rather literal translation of the notes to TAB. The playback score in the arrangement for the electric guitar and bass guitar has a tempo of 60 quarter note or crotchet beats to the minute. The suggestion is that the movement can be played both at slower and faster tempo. The inventions are concentrated demanding movements to play in an ensemble context but excellent for encouraging listening skills, good intonation and accurate playing. The movement is probably best learnt without the ornaments in place in the first instance. Legato playing is needed in a performance although there is scope to broaden the detail of how the notes are articulated. Any exaggerated playing does need to be avoided. Accompaniments are in place allowing electric guitar and bass guitar players to participate in ensemble activities as part of practice routines. The electric guitar sounds on one side of the stereo channel with the bass guitar on the other. The accompaniment tracks play back at 56, 58, 60, 62, 64, 66 and 68 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. Instrumentalists should spend time listening to performances of the work by a range of musical instruments to understanding playing approaches. Players will possibly need to edit their scores with reminders about accidentals within the bar. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. Playing levels will perhaps need to be reviewed when different instrument combinations are involved. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure keyboard technique. When played in an ensemble context there is not much other music that can better prepare players for this type of music activity. Those learning how to use music notation software and improve their listening skills will find this an excellent study to copy simply because of the many accidentals that require attention from the listening and notation point of view. Accurate notation will suggest an excellent understanding of the staff notation system. Close
J .S. Bach’s Invention 11 BWV 782 arranged for clarinet in Bb duo is a work exploring the minor scale. The chromatic element in the movement is str Show More...
J .S. Bach’s Invention 11 BWV 782 arranged for clarinet in Bb duo is a work exploring the minor scale. The chromatic element in the movement is strong and the accidentals make this a challenging score to both read and remember. The best preparation for playing this movement is to play the minor scale appropriately transposed in both its forms slowly until the sound of each is familiar. The movements sounds in the original key of G minor whilst the sheet music parts are appropriately transposed. In this version ornaments do not sound in the realisation or playback score although they are indicated in the sheet music score. The movement is probably best learnt without the ornaments in place in the first instance. In the original piano version of the inventions the use of treble and bass clef ensures an interval distance of usually in excess of an octave. In this arrangement the music editor has maintained this where it is appropriate but when necessary the clarinet 2 part has some octave transpositions to keep to the range of the instrument. The playback score in the arrangement for the clarinet in Bb duo has a tempo of 60 quarter note or crotchet beats to the minute. The suggestion is that the movement can be played both at slower and faster tempo. The inventions are concentrated demanding movements to play in an ensemble context but excellent for encouraging listening skills, good intonation and accurate playing. Legato playing is needed in a performance although there is scope to broaden the detail of how the notes are articulated. Any exaggerated playing does need to be avoided. Accompaniments are in place allowing clarinet players to participate in ensemble activities as part of practice routines. Clarinet 1 sounds on one side of the stereo channel and Clarinet 2 on the other. Accompaniment tracks play back at 56, 58, 60, 62, 64, 66 and 68 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. Instrumentalists should spend time listening to performances of the work by a range of musical instruments to understanding playing approaches. Players will possibly need to edit their scores with reminders about accidentals within the bar. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. Playing levels will perhaps need to be reviewed when different instrument combinations are involved. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure keyboard technique. When played in an ensemble context there is not much other music that can better prepare players for this type of music activity. Those learning how to use music notation software and improve their listening skills will find this an excellent study to copy simply because of the many accidentals that require attention from the listening and notation point of view. Accurate notation will suggest an excellent understanding of staff notation. Close
J .S. Bach’s Invention 11 BWV 782 is a work exploring the scale of G minor. The chromatic element is strong and the resulting accidentals make this Show More...
J .S. Bach’s Invention 11 BWV 782 is a work exploring the scale of G minor. The chromatic element is strong and the resulting accidentals make this a challenging score to both read and store in the musical mind. The best advice is to play the G minor scale in both forms slowly until the sounds of each is familiar. The playback score in the arrangement for violin and cello has a tempo of 60 quarter note or crotchet beats to the minute. It is a movement that can be played both at slower and faster tempos than those suggested. The Inventions are concentrated demanding movements to play in an ensemble context but excellent for encouraging listening skills, good intonation and accurate playing. The movement is probably best learnt without the ornaments in place in the first instance. Legato playing is needed in a performance although there is scope to broaden the detail of how the notes are articulated. Any exaggerated playing does need to be avoided. The music editor has avoided ornaments occurring in both voices at the same time. Players may well do their own research as far as determining the ornaments to be played in a performance. The music editor’s suggestions are based on current performance practice. Ornaments are applied consistently although there is scope for players to make some additions particularly at important cadence points in movements where the option of more notes in the cadential trill can be explored. This is particularly the case in music played at relative slow tempi. In the video score the ornaments have been written out as they sound in the realisation to represent exactly what is being played. This is a useful particularly for those interpreting ornaments for the first time. Note that there are two versions of the video score to view on YouTube. Accompaniments are in place allowing string players to participate in ensemble activities as part of practice routines. The violin sounds on one side of the stereo channel and the cello on the other. The accompaniment tracks play back at 58, 60, 62, 64, 66 and 68 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. One set of accompaniments has ornaments in place and the other doesn’t allowing players some flexibility. This invention provides an excellent opportunity for players to become familiar with the scale of G minor in both its harmonic and melodic minor forms. Instrumentalists should spend time listening to performances of the work by a range of musical instruments to understanding playing approaches. Players will possibly need to edit their scores with reminders about accidentals within the bar. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. Playing levels will perhaps need to be reviewed when different instrument combinations are involved. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure keyboard technique. When played in an ensemble context there is not much other music that can better prepare players for this type of music activity. Those learning how to use music notation software and improve their listening skills will find this an excellent study to copy simply because of the many accidentals that require attention from the listening and notation point of view. Accurate notation will also suggest a musical ear is present! Close
J.S. Bach’s Invention 14 BWV 785 arr. clarinet in Bb & bass clarinet sounding in the key of Bb is a rhythmical work and a movement in which figurati Show More...
J.S. Bach’s Invention 14 BWV 785 arr. clarinet in Bb & bass clarinet sounding in the key of Bb is a rhythmical work and a movement in which figuration is a substitute for ornamentation. Ornaments are omitted in this movement but make way for some exacting and rhythmic figuration. Players should have an understanding of the phrasing needed before playing. J.S. Bach’s music, is from the baroque era in music history and the convention is that there is minimal score detail in place in sheet music scores. The realisation plays back at 56 quarter note or crotchet beats to the minute. This said the movement is probably best played with an awareness of an eighth note or quaver pulse. Accompaniments are in place allowing clarinet in Bb and bass clarinet players to participate in ensemble activities as part of practice routines. The clarinet in Bb sounds on one side of the stereo channel and the bass clarinet on the other. The accompaniment tracks play back at 52, 54, 58, 60 and 62 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are different approaches to playing this invention and instrumentalists should spend time listening to performances of the work by a range of musical instruments on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure keyboard technique. Close
J.S. Bach’s Invention 14 BWV 785 arr. bassoon sounding in the original key of Bb is a rhythmical work and a movement in which figuration is a substi Show More...
J.S. Bach’s Invention 14 BWV 785 arr. bassoon sounding in the original key of Bb is a rhythmical work and a movement in which figuration is a substitute for ornamentation. Ornaments are omitted in this movement but make way for some exacting and rhythmic figuration. Players should have an understanding of the phrasing needed before playing. J. S. Bach’s, is from the baroque era in music history and the convention is that there is minimal score detail in place in sheet music scores. The realisation plays back at 52 quarter note or crotchet beats to the minute. That said the movement is probably best played with an awareness of an eighth note or quaver pulse. Parts appropriately transposed are attached to the full score. In this arrangement the bassoon 1 part has been transposed down an octave so that the two bassoons are essentially an octave closer than in the original piano version. Accompaniments are in place allowing bassoon players to participate in ensemble activities as part of practice routines. Bassoon 1 sounds on one side of the stereo channel and bassoon 2 sounds on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56 58 and 60 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are different approaches to playing this invention and instrumentalists should spend time listening to performances of the work by a range of musical instruments on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure keyboard technique. Close
J.S. Bach’s Invention 14 BWV 785 arr. clarinet in Bb sounding in the key of Bb is a rhythmical work and a movement in which figuration is a substitu Show More...
J.S. Bach’s Invention 14 BWV 785 arr. clarinet in Bb sounding in the key of Bb is a rhythmical work and a movement in which figuration is a substitute for ornamentation. Ornaments are omitted in this movement but make way for some exacting and rhythmic figuration. Players should have an understanding of the phrasing needed before playing. J. S. Bach’s, is from the baroque era in music history and the convention is that there is minimal score detail in place in sheet music scores. The realisation plays back at 52 quarter note or crotchet beats to the minute. This said the movement is probably best played with an awareness of an eighth note or quaver pulse. Parts appropriately transposed are attached to the full score. In this arrangement the clarinet in Bb 2 part has been transposed up an octave so that the two clarinets are an octave closer than in the original version. Accompaniments are in place allowing clarinet in Bb players to participate in ensemble activities as part of practice routines. Clarinet in Bb 1 sounds on one side of the stereo channel and clarinet in Bb 2 sounds on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56 59 and 61 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are different approaches to playing this invention and instrumentalists should spend time listening to performances of the work by a range of musical instruments on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure keyboard technique. Close
J.S. Bach’s Invention 14 BWV 785 arranged for soprano and tenor saxophone duo sounding in the original key of F. An excellent movement to improve e Show More...
J.S. Bach’s Invention 14 BWV 785 arranged for soprano and tenor saxophone duo sounding in the original key of F. An excellent movement to improve ensemble playing and intonation requiring saxophone players to listen to each other and be constantly aware of the eighth note or quaver pulse. This is a challenging rhythmical work and a movement in which figuration is a substitute for ornamentation. Players need to have a vision and understanding of the phrasing needed before playing this movement. In this arrangement the Bach’s music is from the baroque era in music history and presents the added challenge that there is generally minimal score detail in place in sheet music scores. What is important is to play the note values as written and acknowledge rests notated in the score. The realisation plays back at 52 quarter note or crotchet beats to the minute. The music editor suggests playing the movement with an awareness of an eighth note or quaver pulse. An 8/8 time signature would in many ways be very appropriate for this movement. There are a number of octave transpositions in the tenor saxophone 2 part enabling the part to be kept to the instruments range. Accompaniments are in place allowing alto saxophone players to participate in ensemble activities as part of practice routines. The soprano saxophone sounds on one side of the stereo channel and the tenor saxophone 2 on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56, 59 and 61 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are generally similar approaches to playing this invention although instrumentalists should spend time listening to performances of the work by a range of musical instruments and instrument combinations on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key journey. Inversion, repetition, sequence, transposition, augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing secure performing techniques whatever the instrument being played. Close
J.S. Bach’s Invention 14 BWV 785 arranged for alto saxophone duo sounding in the original key of F. This is a challenging rhythmical work and a move Show More...
J.S. Bach’s Invention 14 BWV 785 arranged for alto saxophone duo sounding in the original key of F. This is a challenging rhythmical work and a movement in which figuration is a substitute for ornamentation. This is an excellent movement to improve ensemble playing and intonation requiring saxophone players to both listen to each other and to be constantly aware of the eighth note or quaver pulse. Players need to have a vision and understanding of the phrasing needed before playing this movement. As the alto saxophone 2 has been transposed up an octave the two parts are much closer to each other in the octave sense. Bach’s music is from the baroque era in music history and presents the added challenge that there is generally minimal score detail in place in sheet music scores. What is important is to play the note values as written and acknowledge rests notated in the score. The realisation plays back at 52 quarter note or crotchet beats to the minute. The music editor suggests playing the movement with an awareness of an eighth note or quaver pulse. An 8/8 time signature would in many ways be very appropriate for this movement. There are a number of octave transpositions in the alto saxophone 2 part enabling the part to be kept to the instruments range. Accompaniments are in place allowing alto saxophone players to participate in ensemble activities as part of practice routines. Alto saxophone 1 sounds on one side of the stereo channel and the alto saxophone 2 on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56, 59 and 61 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are generally similar approaches to playing this invention although instrumentalists should spend time listening to performances of the work by a range of musical instruments and instrument combinations on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key journey. Inversion, repetition, sequence, transposition, augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing secure performing techniques whatever the instrument being played. Close
J.S. Bach’s Invention 14 BWV 785 arranged for trumpet in Bb and trombone sounding in the original key of Bb. This is a challenging rhythmical work a Show More...
J.S. Bach’s Invention 14 BWV 785 arranged for trumpet in Bb and trombone sounding in the original key of Bb. This is a challenging rhythmical work and a movement in which figuration is a substitute for ornamentation. This is an excellent movement to improve ensemble playing and intonation requiring brass players to listen to each other. Players need to have a vision and understanding of the phrasing needed before playing this movement. Bach’s music is from the baroque era in music history and presents the added challenge that there is generally minimal score detail in place in sheet music scores. What is important is to play the note values as written and acknowledge rests notated in the score. The realisation plays back at 52 quarter note or crotchet beats to the minute. The music editor suggests playing the movement with an awareness of an eighth note or quaver pulse. An 8/8 time signature would in many ways be very appropriate for this movement. Accompaniments are in place allowing trumpet in Bb and trombone players to participate in ensemble activities as part of practice routines. The trumpet in Bb sounds on one side of the stereo channel and the trombone on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56 and 59 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are generally similar approaches to playing this invention although instrumentalists should spend time listening to performances of the work by a range of musical instruments and instrument combinations on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key journey. Inversion, repetition, sequence, transposition, augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing secure performing techniques whatever the instrument being played. Close
J.S. Bach’s Invention 14 BWV 785 arranged for trombone duo sounding in the original key of Bb. This is a challenging rhythmical work and a movement Show More...
J.S. Bach’s Invention 14 BWV 785 arranged for trombone duo sounding in the original key of Bb. This is a challenging rhythmical work and a movement in which figuration is a substitute for ornamentation. This is an excellent movement to improve ensemble playing and intonation requiring brass players to listen to each other. Players need to have a vision and understanding of the phrasing needed before playing this movement. Bach’s music is from the baroque era in music history and presents the added challenge that there is generally minimal score detail in place in sheet music scores. What is important is to play the note values as written and acknowledge rests notated in the score. The realisation plays back at 52 quarter note or crotchet beats to the minute. The music editor suggests playing the movement with an awareness of an eighth note or quaver pulse. An 8/8 time signature would in many ways be very appropriate for this movement. Accompaniments are in place allowing trombone players to participate in ensemble activities as part of practice routines. The trombone sounds on one side of the stereo channel and the trombone on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56, 59 and 61 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are generally similar approaches to playing this invention although instrumentalists should spend time listening to performances of the work by a range of musical instruments and instrument combinations on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key journey. Inversion, repetition, sequence, transposition, augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing secure performing techniques whatever the instrument being played. Close
J.S. Bach’s Invention 14 BWV 785 arranged for French horn duo sounding in the key of F. This is a challenging rhythmical work and a movement in whic Show More...
J.S. Bach’s Invention 14 BWV 785 arranged for French horn duo sounding in the key of F. This is a challenging rhythmical work and a movement in which figuration is a substitute for ornamentation. It is an excellent movement to improve ensemble playing and intonation requiring brass players to really listen to each other. Players need to have a vision and understanding of the phrasing needed before playing this movement. Bach’s music is from the baroque era in music history and presents the added challenge that there is generally minimal score detail in place in sheet music scores. What is important is to play the note values as written and acknowledge rests notated in the score. The realisation plays back at 54 quarter note or crotchet beats to the minute. The music editor suggests playing the movement with an awareness of an eighth note or quaver pulse. An 8/8 time signature would in many ways be very appropriate for this movement. Accompaniments are in place allowing French horn players to participate in ensemble activities as part of practice routines. French horn 1 sounds on one side of the stereo channel and French horn 2 on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56, 59 and 61 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are generally similar approaches to playing this invention although instrumentalists should spend time listening to performances of the work by a range of musical instruments and instrument combinations on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key journey. Inversion, repetition, sequence, transposition, rhythmic, augmentation, and diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing secure performing techniques whatever the instrument being played. Close
J.S. Bach’s Invention 14 BWV 785 arranged for classical guitar duo in the original key key of Bb is a rhythmical work and a movement in which figura Show More...
J.S. Bach’s Invention 14 BWV 785 arranged for classical guitar duo in the original key key of Bb is a rhythmical work and a movement in which figuration is a substitute for ornamentation. The classical guitar is a transposing instruments sounding an octave lower than written. There are some octave transpositions in the classical guitar 2 part to keep to the range of the instrument. Guitarists have the choice of reading a notated or TAB score. TAB scores have a useful function because they locate the position of the notes on the fretboard although the same note can be played on different strings in different positions. The PlentyMusic TAB score is a literal translation of the score and not necessarily the best solution for playing the notes. Ornaments are omitted in this movement but are replaced by challenging and rhythmic figuration. Players need to have a vision and understanding of the phrasing needed before playing this movement. Bach’s music is from the baroque era in music history and presents the added challenge that there is generally minimal score detail in place in sheet music scores. What is important is to play the note values as written and acknowledge rests notated in the score. The realisation plays back at 56 quarter note or crotchet beats to the minute. The music editor suggests playing the movement with an awareness of an eighth note or quaver pulse. An 8/8 time signature would in many ways be very appropriate for this movement. Accompaniments are in place allowing electric guitar and bass guitar players to participate in ensemble activities as part of practice routines. The electric guitar sounds on one side of the stereo channel and the bass guitar on the other. The accompaniment tracks play back at 52, 54, 59, 61 and 63 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are generally similar approaches to playing this invention although instrumentalists should spend time listening to performances of the work by a range of musical instruments and instrument combinations on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing secure performing techniques whatever the instrument being played. Close
J.S. Bach’s Invention 14 BWV 785 arranged electric guitar & bass guitar in the key of Bb is a rhythmical work and a movement in which figuration is Show More...
J.S. Bach’s Invention 14 BWV 785 arranged electric guitar & bass guitar in the key of Bb is a rhythmical work and a movement in which figuration is a substitute for ornamentation. Remember that the guitar and bass guitar are transposing instruments sounding an octave lower than written. There are some octave transpositions in the bass guitar part to keep to the range of the instrument. Guitarists have the choice of reading a notated or TAB score. TAB scores have a useful function because they locate the position of the notes on the fretboard although the same note can be played on different strings in different positions. The PlentyMusic TAB score is a literal translation of the score and not necessarily the best solution for playing the notes. Ornaments are omitted in this movement but are replaced by challenging and rhythmic figuration. Players need to have a vision and understanding of the phrasing needed before playing this movement. Bach’s music is from the baroque era in music history and presents the added challenge that there is generally minimal score detail in place in sheet music scores. The realisation plays back at 56 quarter note or crotchet beats to the minute. The music editor suggests playing the movement with an awareness of an eighth note or quaver pulse. An 8/8 time signature would in many ways be very appropriate for this movement. Accompaniments are in place allowing electric guitar and bass guitar players to participate in ensemble activities as part of practice routines. The electric guitar sounds on one side of the stereo channel and the bass guitar on the other. The accompaniment tracks play back at 52, 54, 58, 60 and 62 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are generally similar approaches to playing this invention although instrumentalists should spend time listening to performances of the work by a range of musical instruments and instrument combinations on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing secure performing techniques whatever the instrument being played. Close
J.S.Bach’s Invention 8 BWV 779 arranged clarinet in Bb & bass clarinet. One of the most popular of the two part inventions with scale runs and chord Show More...
J.S.Bach’s Invention 8 BWV 779 arranged clarinet in Bb & bass clarinet. One of the most popular of the two part inventions with scale runs and chord shapes to master. The sheet music score available as a pdf download from the website has individual parts appended to the full score. Accompaniments are also in place to help players improve their technique and ensemble playing skills. The realisation plays back at 92 quarter note or crotchet beats to the minute. Many musicians play this invention faster and interestingly it is a movement usually played without ornaments. Clarinettists players need to choose a tempo at which the whole movement can be played consistently. It is a good test piece for players because this piece can very easily run away with itself requiring a tempo adjustment in the challenging sixteenth /semi-quaver sections. Music cannot be played quickly until it can be played slowly. Ornaments are not generally featured in this movement whilst the realisation plays back at 92 quarter note or crotchet beats to the minute. Accompaniments are in place allowing trumpet and trombone players to participate in ensemble activities as part of practice routines. The trumpet sounds on one side of the stereo channel and the trombone on the other. The accompaniment tracks play back at, 80, 84, 88, 92, 96 and 100 quarter note (crotchet) beats per minute. This reflects the fact that this particular invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. It is wise for players to listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement especially with regard to articulation. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. They are possibly more challenging works when played on other instruments. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other compositional processes and techniques are evident as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing ensemble playing in the duo format encouraging listening, accuracy in playing and good intonation. Close
J.S.Bach’s Invention 8 BWV 779 arranged for trombone duo One of the most popular of the two part inventions with scale runs and chord shapes to mast Show More...
J.S.Bach’s Invention 8 BWV 779 arranged for trombone duo One of the most popular of the two part inventions with scale runs and chord shapes to master. The sheet music score available as a pdf download from the website has individual parts appended to the full score. Accompaniments are also in place to help players improve their technical and ensemble skills. The realisation plays back at 88 quarter note or crotchet beats to the minute. Many musicians play this invention faster and interestingly it is a movement usually played without ornaments. Trombone players need to choose a tempo at which the whole movement can be played consistently. It is a good test piece for players because this piece can very easily run away with itself requiring a tempo adjustment in the challenging sixteenth /semi-quaver sections. Music cannot be played quickly until it can be played slowly. The tuba part is fairly uncompromising and if some rescoring is required to make the part a little more playable please advise the PlentyMusic office. Ornaments are not generally featured in this movement whilst the realisation plays back at 88 quarter note or crotchet beats to the minute. Accompaniments are in place allowing trumpet and trombone players to participate in ensemble activities as part of practice routines. The trumpet sounds on one side of the stereo channel and the trombone on the other. The accompaniment tracks play back at 76, 80, 84, 88, 92 and 96 quarter note (crotchet) beats per minute. This reflects the fact that this particular invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. It is wise for players to listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement especially with regard to articulation. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. They are possibly more challenging works when played on other instruments. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other compositional processes and techniques are evident as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing ensemble playing in the duo format encouraging listening, accuracy in playing and good intonation. Close
J.S.Bach’s Invention 8 BWV 779 arranged for trumpet in Bb and trombone sounding in the key of F. One of the most popular of the two part inventions Show More...
J.S.Bach’s Invention 8 BWV 779 arranged for trumpet in Bb and trombone sounding in the key of F. One of the most popular of the two part inventions with scale runs and chord shapes to master. The sheet music score available as a pdf download from the website has individual parts appended to the full score. Accompaniments are also in place to help players improve their technical and ensemble playing skills. The realisation plays back at 88 quarter note or crotchet beats to the minute. Many musicians play this invention faster and interestingly it is a movement usually played without ornaments. Trumpet and trombone players need to choose a tempo at which the whole movement can be played consistently. It is a good test piece for players because this piece can very easily run away with itself requiring a tempo adjustment in the challenging sixteenth /semi-quaver sections. Music cannot be played quickly until it can be played slowly. Ornaments are not generally featured in this movement whilst the realisation plays back at 88 quarter note or crotchet beats to the minute. Accompaniments are in place allowing trumpet and trombone players to participate in ensemble activities as part of practice routines. The trumpet sounds on one side of the stereo channel and the trombone on the other. The accompaniment tracks play back at 76, 80, 84, 88, 92, 96 and 96 quarter note (crotchet) beats per minute. This reflects the fact that this particular invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. It is wise for players to listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement especially with regard to articulation. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. They are possibly more challenging works when played on other instruments. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other compositional processes and techniques are evident as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing ensemble playing in the duo format encouraging listening, accuracy in playing and good intonation. Close
J.S.Bach’s Invention 8 BWV 779 arranged soprano & tenor saxophones. One of the most popular of the two part inventions with scale runs and chord sha Show More...
J.S.Bach’s Invention 8 BWV 779 arranged soprano & tenor saxophones. One of the most popular of the two part inventions with scale runs and chord shapes to master. The sheet music score available as a pdf download from the website has individual parts appended to the full score. Accompaniments are also in place to help players improve their technique and ensemble playing skills. The realisation plays back at 88 quarter note or crotchet beats to the minute. Many musicians play this invention faster and interestingly it is a movement usually played without ornaments. Saxophone players need to choose a tempo at which the whole movement can be played consistently. It is a good test piece for players because this piece can very easily run away with itself requiring a tempo adjustment in the challenging sixteenth /semi-quaver sections. Music cannot be played quickly until it can be played slowly. There are a few octave transpositions in the tenor saxophone part to keep to the instruments range Ornaments are not generally featured in this movement whilst the realisation plays back at 88 quarter note or crotchet beats to the minute. Accompaniments are in place allowing trumpet and trombone players to participate in ensemble activities as part of practice routines. The trumpet sounds on one side of the stereo channel and the trombone on the other. The accompaniment tracks play back at 76, 80, 84, 88, 92 and 96 quarter note (crotchet) beats per minute. This reflects the fact that this particular invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. It is wise for players to listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement especially with regard to articulation. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. They are possibly more challenging works when played on other instruments. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other compositional processes and techniques are evident as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing ensemble playing in the duo format encouraging listening, accuracy in playing and good intonation. Close
J.S.Bach’s Invention 8 BWV 779 arranged for flute and bassoon. One of the most popular of the two part inventions with scale runs and chord shapes t Show More...
J.S.Bach’s Invention 8 BWV 779 arranged for flute and bassoon. One of the most popular of the two part inventions with scale runs and chord shapes to master. The sheet music score available as a pdf download from the website has individual parts appended to the full score. Accompaniments are also in place. An uplifting and appealing invention with many scale runs and chord shapes that make this an appropriate movement for woodwind players to play to improve technique The realisation plays back at 92 quarter note or crotchet beats to the minute. Many musicians play this invention faster and interestingly it is a movement usually played without ornaments. Woodwind players need to choose a tempo at which the whole movement can be played consistently. It is a good test piece for players because this piece can very easily run away with itself requiring a tempo adjustment in the challenging sixteenth /semi-quaver sections. Music cannot be played quickly until it can be played slowly. Ornaments are not generally featured in this movement whilst the realisation plays back at 92 quarter note or crotchet beats to the minute. Accompaniments are in place allowing flute and bassoon players to participate in ensemble activities as part of practice routines. The flute sounds on one side of the stereo channel and the bassoon on the other. The accompaniment tracks play back at, 84, 88, 92, 96, 100 and 104 quarter note (crotchet) beats per minute. This reflects the fact that this particular invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. It is wise for players to listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement especially with regard to articulation. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. They are possibly more challenging works when played on other instruments. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other compositional processes and techniques are evident as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing ensemble playing in the duo format encouraging listening, accuracy in playing and good intonation. Close
J.S.Bach’s Invention 8 BWV 779 arranged for clarinet in Bb duo sounding in the key of F. One of the most popular of the two part inventions with sca Show More...
J.S.Bach’s Invention 8 BWV 779 arranged for clarinet in Bb duo sounding in the key of F. One of the most popular of the two part inventions with scale runs and chord shapes to master. An appropriately transposed sheet music score is available from the website. Accompaniments are also in place. An uplifting and appealing invention with many scale runs and chord shapes that make this an appropriate movement for clarinettists to play to improve technique. There are some octave transpositions in the lower part to keep to the range of the instruments. The realisation plays back at 104 quarter note or crotchet beats to the minute. Many musicians play this invention faster and interestingly it is a movement usually played without ornaments. Clarinet players need to choose a tempo at which the whole movement can be played consistently. It is a good test piece for players because this piece can very easily run away with itself requiring a tempo adjustment in the challenging sixteenth /semi-quaver sections. Remember that music cannot be played quickly until it can be played slowly. At times in the arrangement the contrapuntal lines are an octave closer together than in the piano version. Ornaments are not generally featured in this movement whilst the realisation plays back at 96 quarter note or crotchet beats to the minute. Accompaniments are in place allowing clarinettists to participate in ensemble activities as part of their practice routines. Clarinet in Bb 1 sounds on one side of the stereo channel and Clarinet in Bb on the other. The accompaniment tracks play back at 76, 80, 84, 88, 92, 96, and for the brave 100 quarter note (crotchet) beats per minute. This reflects the fact that this particular invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. It is wise for players to listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement especially with regard to articulation. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other compositional processes and techniques are evident as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing ensemble playing in the duo format. Close
Invention 4 BWV 775 arranged for clarinet in Bb and bass clarinet sounding in the key of D minor is an appealing work featuring an opening motif or me Show More...
Invention 4 BWV 775 arranged for clarinet in Bb and bass clarinet sounding in the key of D minor is an appealing work featuring an opening motif or melodic shape that combines stepwise movement with the interval of a falling diminished seventh. The realisation plays back at 45 dotted quarter note or dotted crotchet beats to the minute. The time signature for this movement is 3/8 and the music editor suggests approaching playing the movement with a one in a bar feel or pulse rather than trying to count in eighth notes or quavers. The long trills bar 19 and bar 29 need to be played rhythmically and with control. There is some debate as to the notes to be played in the trill commencing in bar 29. The music editor suggests a written G natural (sounding F natural) but many alternate a G# (sounding F#) with the E. In the video score, which clarinet players may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. Accompaniments are in place allowing clarinet players to participate in an ensemble activity as part of practice routines. The Clarinet in Bb sounds on one side of the stereo channel and the Bass Clarinet on the other. The accompaniment tracks play back at 39, 42, 45, 48, 51 and for the brave 54 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. This is an invention where it is interesting to observe the different approaches to playing the movement particularly with regard to tempo and articulation. The Inventions are always worth revisiting and the collection should be understood to be one that benefits from this. Valuable time can be spent on streaming media listening to and perhaps watching different approaches that players have when performing this movement. Whilst there is considerable contrast to the tempo that the invention is played remember that movements cannot be played quickly until they be played slowly! The inventions offer excellent opportunities to improve ensemble playing in a duo context. Individual clarinet parts are also appended to the full scores available as a pdf download from the PlentyMusic website. The Bach Inventions are considered to be intermediate level movements. The key journey that features in this movement embraces the closley related keys of the relative major, sub-dominant and the V7 – VI progression bars 48 - 49 further adds to the harmonic journey. Imitation, inversion and sequence are all in evidence as compositional processes. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure playing technique and good intonation. Close
J.S.Bach’s Invention 4 BWV 775 arr. classical guitar duo with a notated score as the download with guitar parts attached to the full score. In t Show More...
J.S.Bach’s Invention 4 BWV 775 arr. classical guitar duo with a notated score as the download with guitar parts attached to the full score. In the key of D minor this is an appealing work featuring an opening motif or melodic shape that combines a scale shape with the interval of a falling diminished seventh. The realisation plays back at 48 dotted quarter note or dotted crotchet beats to the minute. The time signature for this movement is 3/8 and the music editor suggests approaching playing the movement with a one in a bar feel or pulse rather than trying to count in eighth notes or quavers. The long trills bar 19 and bar 29 need to be played rhythmically and with control. There is some debate as to the notes to be played in the trill commencing in bar 29. The music editor suggests a written F natural but many alternate a F# with the E. The ornaments can always be omitted particularly in the early stages of learning the movement. Many guitarists edit the music score in how they play the ornaments finding it difficult to sustain the hammer technique for so long. Find a solution but do ensure that both parts and instruments are imitating each other. The voicing in this arrangement with the guitar 1 sounding an octave lower than written means that the contrapuntal lines are an octave closer together than in the original piano version. In the video score, which guitar players may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. Accompaniments are in place allowing classical guitar duo players to participate in an ensemble activity as part of practice routines. Classical Guitar 1 sounds on one side of the stereo channel and Classical Guitar 2 on the other. The accompaniment tracks play back at 39, 42, 45, 48, 51 and for the brave 54 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. This is an invention where it is interesting to observe the different approaches to playing the movement particularly with regard to tempo and articulation. The Inventions are always worth revisiting and the collection should be understood to be one that benefits from this. Valuable time can be spent on streaming media listening to and perhaps watching different approaches that players have when performing this movement. Whilst there is considerable contrast to the tempo that the invention is played remember that movements cannot be played quickly until they be played slowly! The inventions offer excellent opportunities to improve ensemble playing in a duo context. Individual guitar parts are also appended to the full scores available as a pdf download from the PlentyMusic website. The Bach Inventions are considered to be intermediate level movements. The key journey that features in this movement embraces the closely related keys of the relative major, sub-dominant and the V7 – VI progression bars 48 - 49 further adds to the harmonic journey. Imitation, inversion and sequence are all in evidence as compositional processes. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure playing technique. This is a revision and update of a previous score posted on the website. Close
Invention 4 BWV 775 arranged for two clarinets in Bb sounding in the key of D minor is an appealing work featuring an opening motif or melodic shape t Show More...
Invention 4 BWV 775 arranged for two clarinets in Bb sounding in the key of D minor is an appealing work featuring an opening motif or melodic shape that combines stepwise movement with the interval of a falling diminished seventh. In this arrangement the contrapuntal lines are an octave closer than in the original piano version with both instruments notated in the treble clef. The realisation plays back at 48 dotted quarter note or dotted crotchet beats to the minute. The time signature for this movement is 3/8 and the music editor suggests approaching playing the movement with a one in a bar feel or pulse rather than trying to count in eighth notes or quavers. The long trills bar 19 and bar 29 need to be played rhythmically and with control. There is some debate as to the notes to be played in the trill commencing in bar 29. The music editor suggests a written G natural (sounding F natural) but many alternate a G# (sounding F#) with the E. In the video score, which clarinet players may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. Accompaniments are in place allowing clarinet players to participate in an ensemble activity as part of practice routines. Clarinet 1 sounds on one side of the stereo channel and Clarinet 2 on the other. The accompaniment tracks play back at 39, 42, 45, 48, 51 and for the brave 54 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. This is an invention where it is interesting to observe the different approaches to playing the movement particularly with regard to tempo and articulation. The Inventions are always worth revisiting and the collection should be understood to be one that benefits from this. Valuable time can be spent on streaming media listening to and perhaps watching different approaches that players have when performing this movement. Whilst there is considerable contrast to the tempo that the invention is played remember that movements cannot be played quickly until they be played slowly! The inventions offer excellent opportunities to improve ensemble playing in a duo context. Individual clarinet parts are also appended to the full scores available as a pdf download from the PlentyMusic website. The Bach Inventions are considered to be intermediate level movements. The key journey that features in this movement embraces the closley related keys of the relative major, sub-dominant and the V7 – VI progression bars 48 - 49 further adds to the harmonic journey. Imitation, inversion and sequence are all in evidence as compositional processes. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure playing technique. Close
J.S.Bach’s Invention 13 in the key of A minor is a movement with some quite delightful shapes to play particularly chord shapes including minor, maj Show More...
J.S.Bach’s Invention 13 in the key of A minor is a movement with some quite delightful shapes to play particularly chord shapes including minor, major, dominant 7th & diminished 7th also in their different positions (root, first & second inversion…) This is an excellent ensemble piece encouraging players to listen to each other. In bars 21/22 there are some octave transpositions in the violin part. Ornaments are not featured in this movement whilst the realisation plays back at 68 quarter note or crotchet beats to the minute. Accompaniments are in place allowing violin and cello players to participate in ensemble activities as part of their practice routines. The violin sounds on one side of the stereo channel and the cello on the other. The accompaniment tracks play back at 58, 60, 62, 64, 66, 68, 70 and 72 quarter note (crotchet) beats per minute. This reflects the fact that the invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. As in all the inventions it is a requirement to play accurate note values. Ends of phrases are deserving of particular attention. Legato playing is suggested in the first instance although string players can offer their own playing and performance approaches which in many ways is the invitation offered in this and many other Bach music collections. There is no perfectly correct way to play this music and there is the added challenge of being able to re-visit and play the music again. Time spent listening to this work on streaming media will be invaluable to players wishing to understand the different approaches that players have when performing this movement. The principle behind J.S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other processes are evident in Bach’s Two Part Inventions as in most music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. As concentrated and concise movements the 15 Inventions played in an ensemble context present excellent challenges and there is simply not much other music that can better prepare players for this type of music activity. An invention suited to being played by a wide range of instruments possibly with a combination of instruments belonging to different instrument families – a mix and match approach is invited. Close
J.S.Bach’s Invention 6 BWV 777 arr. violin & cello The realisation plays back at 28 bpm to the minute. Accompaniments are in place allowing string p Show More...
J.S.Bach’s Invention 6 BWV 777 arr. violin & cello The realisation plays back at 28 bpm to the minute. Accompaniments are in place allowing string players to participate in ensemble activities as part of practice routines. This is an excellent duo piece encouraging good intonation accuracy in playing and the development of a sense of pulse so essential in ensemble playing. Accompaniments are in place allowing both violinists and cellists to participate in ensemble activities as part of their practice routines. The violin sounds on one side of the stereo channel and cello on the other. There is a four bar count in sounding on the wood blocks. A legato approach to playing is demostrated in the sheet music video but string players may well chose to play pizzicato for this invention. It is a movement that features figuration and an exploration of shapes rather than ornamentation. The two voices are frequently moving in contrary motion. This invention sounds so easy on the ear but it is a challenging to read because of the accidentals. The repeats whilst indicated in the sheet music score are not played in the mp3 realisation or the accompaniments The reading of the notes and accidentals requires attention especially in the second section and note values need to played accurately. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Two Part Inventions and 15 Three Part Sinfonias and many of them provide excellent opportunities for duo and trio playing. When played in an ensemble context there is not much other music that can better prepare players for this type of music activity. Close
The invention has been transposed to the key of G. The guitar as a transposing instrument sounds an octave lower than written. TAB scores are also ava Show More...
The invention has been transposed to the key of G. The guitar as a transposing instrument sounds an octave lower than written. TAB scores are also available. Accompaniments are in place allowing guitarists to participate in ensemble activities as part of their practice routines. Guitar 1 sounds on one side of the stereo channel and Guitar 2 of the other. A legato approach to playing is suggested for this invention. It is a movement that features figuration and an exploration of shapes rather than ornamentation. The two voices are frequently moving in contrary motion. This invention sounds so easy on the ear but it is a challenging to read because of the accidentals. The realisation plays back at 25 dotted quarter note or dotted crotchet beats to the minute. The repeats whilst indicated in the sheet music score are not played in the mp3 realisation or the accompaniments The reading of the notes and accidentals requires attention especially in the second section and note values need to played accurately. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Two Part Inventions and 15 Three part Sinfonias and many of them provide excellent opportunities for duo and trio playing. When played in an ensemble context there is not much other music that can better prepare players for this type of music activity. Close
J.S.Bach’s Invention 8 BWV 779 arranged for trombone and tuba. One of the most popular of the two part inventions with scale runs and chord shapes t Show More...
J.S.Bach’s Invention 8 BWV 779 arranged for trombone and tuba. One of the most popular of the two part inventions with scale runs and chord shapes to master. The sheet music score available as a pdf download from the website has individual parts appended to the full score. Accompaniments are also in place to help players improve their technique and ensemble skills. This is a 2023 update to a previous score. The realisation plays back at 88 quarter note or crotchet beats to the minute. Many musicians play this invention faster and interestingly it is a movement usually played without ornaments. Trombone and tuba players need to choose a tempo at which the whole movement can be played consistently. It is a good test piece for players because this piece can very easily run away with itself requiring a tempo adjustment in the challenging sixteenth /semi-quaver sections. Music cannot be played quickly until it can be played slowly. The tuba part is fairly uncompromising and if some rescoring is required to make the part a little more playable please advise the PlentyMusic office. Ornaments are not generally featured in this movement whilst the realisation plays back at 88 quarter note or crotchet beats to the minute. Accompaniments are in place allowing trumpet and trombone players to participate in ensemble activities as part of practice routines. The trumpet sounds on one side of the stereo channel and the trombone on the other. The accompaniment tracks play back at 76, 80, 84, 88, 92 and 96 quarter note (crotchet) beats per minute. This reflects the fact that this particular invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. It is wise for players to listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement especially with regard to articulation. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. They are possibly more challenging works when played on other instruments. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other compositional processes and techniques are evident as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing ensemble playing in the duo format encouraging listening, accuracy in playing and good intonation. Close
J.S.Bach’s Invention 8 BWV 779 arranged for electric & bass guitar. One of the most popular of the two part inventions with scale runs and chord sha Show More...
J.S.Bach’s Invention 8 BWV 779 arranged for electric & bass guitar. One of the most popular of the two part inventions with scale runs and chord shapes to master. A sheet music score with both staff notation and TAB is available from the website. Accompaniments are also in place. This is an updated version of an earlier music score. An uplifting and appealing invention with many scale runs and chord shapes that make this an appropriate movement for guitarists to play to improve technique. There are some octave transpositions in the parts to keep to the range of the instruments. The guitar is an instrument where the same note can be played in different positions on the fretboard and whilst the TAB scores available maybe helpful in locating notes they do not provide the only solution. Acoustic instruments can be substituted for the electric. The realisation plays back at a reasonable 84 quarter note or crotchet beats to the minute. Many musicians play this invention faster and interestingly it is a movement usually played without ornaments. Guitar players need to choose a tempo at which the whole movement can be played consistently. It is a good test piece for players because this piece can very easily run away with itself requiring a tempo adjustment in the challenging sixteenth /semi-quaver sections. Remember that music cannot be played quickly until it can be played slowly. The electric guitar and bass guitar are both transposing instruments and sound an octave lower than written enabling the space between the contrapuntal lines to be retained. There are some octave transpositions in the parts to keep to each instrument’s range. Scores are available in both staff notation and TAB. The TAB scores are limited in that they are literal translations of the notated score and guitar players may well wish to review some of the note positions suggested in these scores. Ornaments are not generally featured in this movement whilst the realisation plays back at 84 quarter note or crotchet beats to the minute. Accompaniments are in place allowing guitar and bass players to participate in ensemble activities as part of their practice routines. The electric guitar sounds on one side of the stereo channel and the bass guitar on the other. The accompaniment tracks play back at 80, 84, 88, 92, 96, and for the very brave 100 quarter note (crotchet) beats per minute. This reflects the fact that this particular invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a two bar count in /click track for each of the accompaniment tracks. Again it is wise for players to listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement especially with regard to articulation. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. They are possibly more challenging works when played on other instruments. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other compositional processes and techniques are evident as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing ensemble playing in the duo format. Close
J.S.Bach’s Invention 8 BWV 779 arranged for violin and cello. One of the most popular of the two part inventions with scale runs and chord shapes to Show More...
J.S.Bach’s Invention 8 BWV 779 arranged for violin and cello. One of the most popular of the two part inventions with scale runs and chord shapes to master. The sheet music score available as a pdf download from the website has individual parts appended to the full score. Accompaniments are also in place. An uplifting and appealing invention with many scale runs and chord shapes that make this an appropriate movement for string players to play to improve technique The realisation plays back at 96 quarter note or crotchet beats to the minute. Many musicians play this invention faster and interestingly it is a movement usually played without ornaments. String players need to choose a tempo at which the whole movement can be played consistently. It is a good test piece for players because this piece can very easily run away with itself requiring a tempo adjustment in the challenging sixteenth /semi-quaver sections. Music cannot be played quickly until it can be played slowly. Ornaments are not generally featured in this movement whilst the realisation plays back at 96 quarter note or crotchet beats to the minute. Accompaniments are in place allowing violin and viola players to participate in ensemble activities as part of practice routines. The violin sounds on one side of the stereo channel and the viola on the other. The accompaniment tracks play back at, 84, 88, 92, 96, 100 and 104 quarter note (crotchet) beats per minute. This reflects the fact that this particular invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. It is wise for players to listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement especially with regard to articulation. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. They are possibly more challenging works when played on other instruments. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other compositional processes and techniques are evident as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing ensemble playing in the duo format encouraging listening, accuracy in playing and good intonation. This score was updated in 2023. Close
J.S.Bach’s Invention 8 BWV 779 arranged for violin and viola. One of the most popular of the two part inventions with scale runs and chord shapes to Show More...
J.S.Bach’s Invention 8 BWV 779 arranged for violin and viola. One of the most popular of the two part inventions with scale runs and chord shapes to master. The sheet music score available as a pdf download from the website has pindividual parts appended to the full score. Accompaniments are also in place. An uplifting and appealing invention with many scale runs and chord shapes that make this an appropriate movement for guitarists to play to improve technique. There are some octave transpositions in the viola part to keep to the range of the instrument. The realisation plays back at 96 quarter note or crotchet beats to the minute. Many musicians play this invention faster and interestingly it is a movement usually played without ornaments. String players need to choose a tempo at which the whole movement can be played consistently. It is a good test piece for players because this piece can very easily run away with itself requiring a tempo adjustment in the challenging sixteenth /semi-quaver sections. Music cannot be played quickly until it can be played slowly. Ornaments are not generally featured in this movement whilst the realisation plays back at 96 quarter note or crotchet beats to the minute. Accompaniments are in place allowing violin and viola players to participate in ensemble activities as part of practice routines. The violin sounds on one side of the stereo channel and the viola on the other. The accompaniment tracks play back at, 84, 88, 92, 96, 100 and 104 quarter note (crotchet) beats per minute. This reflects the fact that this particular invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. It is wise for players to listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement especially with regard to articulation. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. They are possibly more challenging works when played on other instruments. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other compositional processes and techniques are evident as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing ensemble playing in the duo format encouraging listening, accuracy in playing and good intonation. Close
J.S.Bach’s Invention 8 BWV 779 arranged for classical guitar duo in the original key of F. One of the most popular of the two part inventions with s Show More...
J.S.Bach’s Invention 8 BWV 779 arranged for classical guitar duo in the original key of F. One of the most popular of the two part inventions with scale runs and chord shapes to master. A sheet music score with both staff notation and TAB is available from the website. Accompaniments are also in place. An uplifting and appealing invention with many scale runs and chord shapes that make this an appropriate movement for guitarists to play to improve technique. There are some octave transpositions in the parts to keep to the range of the instruments. The guitar is an instrument where the same note can be played in different positions on the fretboard and whilst the TAB scores available maybe helpful in locating notes they do not provide the only option. The realisation plays back at 96 quarter note or crotchet beats to the minute. Many musicians play this invention faster and interestingly it is a movement usually played without ornaments. Guitar players need to choose a tempo at which the whole movement can be played consistently. It is a good test piece for players because this piece can very easily run away with itself requiring a tempo adjustment in the challenging sixteenth /semi-quaver sections. Remember that music cannot be played quickly until it can be played slowly. The classical guitar is a transposing instrument and sounds an octave lower than written. The contrapuntal lines are an octave closer together than in the piano version. Ornaments are not generally featured in this movement whilst the realisation plays back at 84 quarter note or crotchet beats to the minute. Accompaniments are in place allowing guitar players to participate in ensemble activities as part of their practice routines. Classical Guitar 1 sounds on one side of the stereo channel and Classical Guitar 2 on the other. The accompaniment tracks play back at 76, 80, 84, 88, 92, 96, and for the brave 100 quarter note (crotchet) beats per minute. This reflects the fact that this particular invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. Again it is wise for players to listen to performances of this invention on streaming media to understand the different approaches that players have when performing this movement especially with regard to articulation. The Bach Inventions are generally considered to be intermediate level movements when played on a keyboard instrument. They are possibly more challenging works when played on other instruments. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other compositional processes and techniques are evident as in most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing ensemble playing in the duo format. Close
Invention 4 BWV 775 arranged for violin and cello the key of D minor is an appealing work featuring an opening motif or melodic shape that combines a Show More...
Invention 4 BWV 775 arranged for violin and cello the key of D minor is an appealing work featuring an opening motif or melodic shape that combines a scale shape with the interval of a falling diminished seventh. The realisation plays back at 48 dotted quarter note or dotted crotchet beats to the minute. The time signature for this movement is 3/8 and the music editor suggests approaching playing the movement with a one in a bar feel or pulse rather than trying to count in eighth notes or quavers. The long trills bar 19 and bar 29 need to be played rhythmically and with control. There is some debate as to the notes to be played in the trill commencing in bar 29. The music editor suggests a written F natural but many alternate a F# with the E. In the video score, which string players may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. Accompaniments are in place allowing clarinet players to participate in an ensemble activity as part of practice routines. The violin sounds on one side of the stereo channel and Clarinet 2 on the other. The accompaniment tracks play back at 39, 42, 45, 48, 51 and for the brave 54 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. This is an invention where it is interesting to observe the different approaches to playing the movement particularly with regard to tempo and articulation. The Inventions are always worth revisiting and the collection should be understood to be one that benefits from this. Valuable time can be spent on streaming media listening to and perhaps watching different approaches that players have when performing this movement. Whilst there is considerable contrast to the tempo that the invention is played remember that movements cannot be played quickly until they be played slowly! The inventions offer excellent opportunities to improve ensemble playing in a duo context. Individual clarinet parts are also appended to the full scores available as a pdf download from the PlentyMusic website. The Bach Inventions are considered to be intermediate level movements. The key journey that features in this movement embraces the closley related keys of the relative major, sub-dominant and the V7 – VI progression bars 48 - 49 further adds to the harmonic journey. Imitation, inversion and sequence are all in evidence as compositional processes. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure playing technique and good intonation. This is a revision of an earlier score posted on the website. Close
J.S.Bach’s Invention 4 BWV 775 arr. electric guitar & bass guitar Both notated & TAB scores are available. In the key of D minor this is an appeal Show More...
J.S.Bach’s Invention 4 BWV 775 arr. electric guitar & bass guitar Both notated & TAB scores are available. In the key of D minor this is an appealing work featuring an opening motif or melodic shape that combines a scale shape with the interval of a falling diminished seventh. The realisation plays back at 48 dotted quarter note or dotted crotchet beats to the minute. The time signature for this movement is 3/8 and the music editor suggests approaching playing the movement with a one in a bar feel or pulse rather than trying to count in eighth notes or quavers. The long trills bar 19 and bar 29 need to be played rhythmically and with control. There is some debate as to the notes to be played in the trill commencing in bar 29. The music editor suggests a written F natural but many alternate a F# with the E. The ornaments can always be omitted particularly in the early stages of learning the movement. If In the video score, which guitar players may wish to refer to on the PlentyMusic YouTube channel ornaments have been written out as they sound in the realisation to represent exactly what is being played. As the electric The TAB score Accompaniments are in place allowing electric guitar & bass players to participate in an ensemble activity as part of practice routines. The electric guitar sounds on one side of the stereo channel and the bass guitar on the other. The accompaniment tracks play back at 39, 42, 45, 48, 51 and for the brave 54 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a four bar count in /click track for each of the accompaniment tracks. This is an invention where it is interesting to observe the different approaches to playing the movement particularly with regard to tempo and articulation. The Inventions are always worth revisiting and the collection should be understood to be one that benefits from this. Valuable time can be spent on streaming media listening to and perhaps watching different approaches that players have when performing this movement. Whilst there is considerable contrast to the tempo that the invention is played remember that movements cannot be played quickly until they be played slowly! The inventions offer excellent opportunities to improve ensemble playing in a duo context. Individual clarinet parts are also appended to the full scores available as a pdf download from the PlentyMusic website. The Bach Inventions are considered to be intermediate level movements. The key journey that features in this movement embraces the closley related keys of the relative major, sub-dominant and the V7 – VI progression bars 48 - 49 further adds to the harmonic journey. Imitation, inversion and sequence are all in evidence as compositional processes. The principle behind J. S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing a sound and secure playing technique. This is a revision and update of a previous score posted on the website. The music score was revised in 2023. B. Close
J.S. Bach’s Invention 14 BWV 785 arranged for violin and viola duo in the original key of Bb is a rhythmical work and a movement in which figuration Show More...
J.S. Bach’s Invention 14 BWV 785 arranged for violin and viola duo in the original key of Bb is a rhythmical work and a movement in which figuration is a substitute for ornamentation. Players need to have a vision and understanding of the phrasing needed before playing this movement. Bach’s music is from the baroque era in music history and presents the added challenge that there is generally minimal score detail in place in sheet music scores. What is important is to play the note values as written and acknowledge rests notated in the score. The realisation plays back at 56 quarter note or crotchet beats to the minute. The music editor suggests playing the movement with an awareness of an eighth note or quaver pulse. An 8/8 time signature would in many ways be very appropriate for this movement. String players may well want to explore octave transpositions in those bars where the range of the instrument becomes a challenge - Bar 16 of the viola part for example. Please advise the Pln Accompaniments are in place allowing electric guitar and bass guitar players to participate in ensemble activities as part of practice routines. The violin sounds on one side of the stereo channel and the viola on the other. The accompaniment tracks play back at 52, 54, 59, 61 and 63 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are generally similar approaches to playing this invention although instrumentalists should spend time listening to performances of the work by a range of musical instruments and instrument combinations on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing secure performing techniques whatever the instrument being played. This score was reviewed and updated in 2023. Close
J.S. Bach’s Invention 14 BWV 785 arranged for trombone and tuba duo sounding in the original key of Bb. This is a challenging rhythmical work and a Show More...
J.S. Bach’s Invention 14 BWV 785 arranged for trombone and tuba duo sounding in the original key of Bb. This is a challenging rhythmical work and a movement in which figuration is a substitute for ornamentation. It is an excellent movement to improve ensemble playing and intonation requiring brass players to listen to each other. Players need to have a vision and understanding of the phrasing needed before playing this movement. The original right hand piano has been transposed down an octave whilst there are a few octave transpositions in the trombone 2 part keeping to the range of the instrument. Bach’s music is from the baroque era in music history and presents the added challenge that there is generally minimal score detail in place in sheet music scores. What is important is to play the note values as written and acknowledge rests notated in the score. The realisation plays back at 52 quarter note or crotchet beats to the minute. The music editor suggests playing the movement with an awareness of an eighth note or quaver pulse. An 8/8 time signature would in many ways be very appropriate for this movement. Accompaniments are in place allowing trombone players to participate in ensemble activities as part of practice routines. Trombone 1 sounds on one side of the stereo channel and trombone 2 on the other. The accompaniment tracks play back at 48, 50, 52, 54, 56 and 59 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are generally similar approaches to playing this invention although instrumentalists should spend time listening to performances of the work by a range of musical instruments and instrument combinations on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key journey. Inversion, repetition, sequence, transposition, augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing secure performing techniques whatever the instrument being played. This score was updated in 2023. Close
J.S. Bach’s Invention 14 BWV 785 arranged violin and cello in its original key of Bb is a rhythmical work and a movement in which figuration is a su Show More...
J.S. Bach’s Invention 14 BWV 785 arranged violin and cello in its original key of Bb is a rhythmical work and a movement in which figuration is a substitute for ornamentation. Ornaments are omitted in this movement but are replaced by challenging and rhythmic figuration. Players need to have a vision and understanding of the phrasing needed before playing this movement. Bach’s music is from the baroque era in music history and presents the added challenge that there is generally minimal score detail in place in sheet music scores. What is important is to play the note values as written and acknowledge rests notated in the score. The realisation plays back at 58 quarter note or crotchet beats to the minute. The music editor suggests playing the movement with an awareness of an eighth note or quaver pulse. An 8/8 time signature would in many ways be very appropriate for this movement. Accompaniments are in place allowing violin and cello guitar players to participate in ensemble activities as part of practice routines. The violin sounds on one side of the stereo channel and the cello on the other. The accompaniment tracks play back at 52, 54, 58, 60 and 62 quarter note (crotchet) beats per minute. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is one bar count in /click track at the beginning of the accompaniment tracks. There are generally similar approaches to playing this invention although instrumentalists should spend time listening to performances of the work by a range of musical instruments and instrument combinations on streaming media. The Bach Inventions are generally intermediate level movements when played on a keyboard instrument. The principle behind J. S. Bach’s two part Inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the key journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other processes are evident in Bach’s inventions as most other music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. They are excellent pieces for developing secure performing techniques whatever the instrument being played. This is a 2023 update to the previous score. Close
J.S.Bach’s Invention 13 in the key of A minor is a movement with some quite delightful shapes to play particularly chord shapes including minor, maj Show More...
J.S.Bach’s Invention 13 in the key of A minor is a movement with some quite delightful shapes to play particularly chord shapes including minor, major, dominant 7th & diminished 7th also in their different positions (root, first & second inversion…) This is an excellent ensemble piece encouraging players to listen to each other. Acoustic instruments can be substituted for the electric ones. The electric guitar and bass guitar are both transposing instruments and sound an octave lower than written enabling the space between the contrapuntal lines to be retained. There are some octave transpositions in the bass guitar part to keep to the instrument’s range. Scores are available in both staff notation and TAB. The guitar is an instrument where the same note can be played in different positions and on different strings. The TAB scores are a literal translations of the notated score and guitar players may well wish to review some of the note positions suggested in these scores. Ornaments are not featured in this movement whilst the realisation plays back at 72 quarter note or crotchet beats to the minute. Accompaniments are in place allowing guitar and bass players to participate in ensemble activities as part of their practice routines. The guitar sounds on one side of the stereo channel and the bass on the other. The accompaniment tracks play back at 58, 60, 62, 64, 66, 68, 70 and 72 quarter note (crotchet) beats per minute. This reflects the fact that the invention can be played at many different tempi. Accompaniment backing tracks are recorded with a dry acoustic to encourage accuracy in playing. There is a two bar count in /click track for each of the accompaniment tracks. As in all the inventions it is a requirement to play accurate note values. Ends of phrases are deserving of particular attention. Legato playing is suggested in the first instance although players can offer their own playing and performance approaches which in many ways is the invitation offered in this and many other Bach music collections. There is no perfectly correct way to play this music and there is the added challenge of being able to re-visit and play the music again. Time spent listening to this work on streaming media will be invaluable to players wishing to understand the different approaches that players have when performing this movement. The principle behind J.S. Bach’s two part inventions is to take a musical idea or motive and then process it following the rules of good contrapuntal writing using the compositional processes of the baroque and at the same time referencing the closely related keys in the harmonic journey. Inversion, repetition, sequence, transposition, rhythmic augmentation/diminution amongst other processes are evident in Bach’s Two Part Inventions as in most music of the baroque period. J. S. Bach composed 15 Inventions in a collection dating from 1723 intended to introduce keyboard players to composition techniques of the baroque. As concentrated and concise movements the 15 Inventions played in an ensemble context present excellent challenges and there is simply not much other music that can better prepare players for this type of music activity. An invention suited to being played by a wide range of instruments possibly with a combination of instruments belonging to different instrument families – a mix and match approach is invited. The 2023 music score is a revision of the 2013 PlentyMusic score. Close
